9/11 10 years later

Standing in the shadow of the World Trade Center isn’t a badge of honor,it’s a mark of the beast. Sometimes, It’s almost to surreal and reflecting back is almost too hard but yet here we are.
I wasn’t working in the Trade center on 9/11. I hadn’t worked in the buildings since 2000 yet I remember so clearly all the people I once knew. Names will escape your mind but faces stay.

One of my new closest friends survived the attacks by being too lazy to get to work.This act saved her
life. The company she worked for in the Trade Center was the site of impact for one of the planes. No one survived and if she was there she wouldn’t be a close friend today.

No life is too little nor too great,each one is significant and never trivial. So 10 years later we reflect at the promise of change and the promise that we will never forget and never surrender!

Rob Base 9/11/11

How MOMA could really be modern – Part 1-GRAFFITI

THIS IS PART 1 OF A 3 PART STORY OF THE ART SOCIETY

PART 1 GRAFFITI (the urban palate)

The Moma located on 53st between 6th and 5th avenue in Manhattan New York has been the home of “modern” art and pop art icons for the last 79 years.They opened their doors on November 7, 1929 and have since been the place for artist of the “underground” movement. artist like Van Gogh, Gauguin, Cezanne, and Seurat. Campbell Soup Cans by Andy Warhol nicely round out the hallowed halls.

but one persons art is another mans anger. cause many a great artist of the true modern age have been omitted from the halls of this so-called great museum. the true urban artist. Graffiti is one of the last modern art forms it draws acclaim and criticism alike it is respect over seas and spit upon domestically. graffiti defines generations and it defines neighborhoods alike.

Its place as art is shown in the form of old school block Letters and solid color fillings. it draws from music and comic books. each artist risk life and freedom to do it, making it the only art form that could take your life. So why does the MoMa not have expos on Graffiti?

simple…..(this next section is complete rant reader beware)

these so called experts in the field of art can not see past their own blurred vision of the world, art done in the abstract is considered high end and art created in protest and outspokenness has no place in the halls of the mighty MOMA. The walls adorn with paintings of cans of soup and canvases with a cut in the center hold more meaning to an empty vessel that is the upper elite then real art …art done for the sake of art.

Walking down the hallways of the MOMA you can see all of the waste of money the Art Elite has given out. all these artist claim stake in the fact that their art has meaning, go ask REVS and Cost,Riot 208 or JA or any of the others what their art meant and they would tell you.

It means LIFE and DEATH it means FAMILY and Friends, gangs and brotherhood. it means being on the outside looking in. the art of the street is art for the so called lower class the middle class and the people who live pay check to paycheck. the lines in a piece define a person, the more bubble the letter, the bigger the outline, the crazier the art, the more colors it all means something …none of which is a free ride to fame. that road is bumpy and long and sometimes it means the end!

Modern Art is Graffiti. it defines a neighborhood a town a city an understanding while the rest of the world and more mainstream media except it the more MOMA and the Blue blood fakes push it away.

when the day MOMA allows the walls to be deck out in krylon and Montana spray paint. that will be the day when Grafitti as an art form dies. the world has reconized the art form and we do not need the critics to tell us what is allowed we live in an era when we make our own choices and we choice to enjoy true modern art whereever it is