SENYCC: WWE Superstar Batista Interview

WWE Superstar “The Animal” Batista was at the Special Edition of New York Comic Con last weekend and I with a few others had the opportunity to interview him. He is also co-starring in Marvel’s “Guardians of the Galaxy” as he plays as Drax the Destroyer. The film will be released on August 1, 2014

batista

SO BATISTA, YOU HAVE RETURNED TO THE WWE AFTER AN 4 YEAR ABSCNECE, WHAT IS THE LOCKER ROOM LIKE NOW COMPARED TO 4 YEARS AGO?

“Well not much has changed really except for the new hungry kids from NXT I have seen for the first time a couple of weeks ago. Guys like Adrian Neville, Sami Zayn, The Ascension and many more young guys who want to come up to the main roster, NXT is the future of this business and just like guys like me, John Cena, Randy Orton and Brock Lesnar, we went through the system in OVW. But to end the question, the locker room has been great to me.”

NOW YOU HAVE HAD MANY MATCHES AT WRESTLEMANIA, IF YOU HAD TO CHOOSE TWO OF THOSE MATCHES AS YOU’RE FAVORITES,  WHAT WOULD THOSE MATCHES BE?

“(Laughs) well the first one would be against The Undertaker at WrestleMania 23 because we stole the show on that night. When his music hits and he made his entrance, I was a bit nervous. But I was happy that we tore the house down and he trusted me. Undertaker is a good friend of mines and we have that chemistry that some others have in the ring. I would also say that my feud with him that year was one of my personal favorites as well. My second favorite is the match against Triple H at WrestleMania 21. He was the teacher and I was the student. I felt the buildup was great and the match was great. We both beat each other up in that classic match. People can say what they want about Triple H but he is the true ring general and he wants to see the younger talent go up to the level that he was.”

THAT IS GREAT TO HEAR BATISTA. NOW YOU WERE PART OF EVOLUTION FOR A FEW YEARS, FROM YOU’RE VIEW, WHAT DID YOU LIKE ABOUT IT?

“Evolution to me was great. I can tell you that it was also an learning experience too. You have Ric Flair who is one of the greatest champions of all time and Triple H who is (at that point) becoming the greatest of all time and beginning to submit his legacy, and me and Randy Orton being groomed to becoming the next faces of the WWE. Most factions like DX or NWO Didn’t have the younger stars setting out to be ready for the main event scene with the exception of Triple H. This is what is missing with factions these days. But look at The Shield. Those 3 guys ( Dean Ambrose, Seth Rollins, Roman Reigns) can work their butts off and I love working with the 3 of them. Those 3 will have a great future.”

YOU ARE STARRING IN MARVEL’S “GUARDIANS OF THE GALAXY” AS “Drax the Destroyer”, HOW DO YOU FEEL ABOUT PLAYING THIS COMIC CHARACTER WHEN MARVEL SIGNED YOU?

“I have been a fan of Marvel Comics and playing Drax has been a great experience. Originally it was going to be either Isaiah Mustafa, Patrick Wade or Jason Momoa but I was selected. The movie has ties to The Avengers and will connect to other Marvel movies in the future. Drax is a human resurrected as a green warrior for the sole purpose of killing Thanos (the villain in the final-scene tease of Avengers). His powers include flight, super-strength and energy blasts and when the movie premiers in the United States, everyone will see how I will pull the character off. but it was very fun and Chris Pratt was a great guy to work with as well. The makeup took very long to put on though. I believe it was about 4 hours and after we were finished shooting, and then it took nearly 90 minutes to take it all off of me.”

WHAT ARE YOU’RE THOUGHTS ON THE WWE NETWORK?

“The WWE Network is great, I have waited a long time for it to finally launch. For Fans who have never seen what the days of the WWE or WCW was like in the 1980’s or early 1990’s, you need to check the stuff out. It is not only great stuff and matches, but it also educates the fans of the superstars of yesterday who were big such as Hulk Hogan, The Ultimate Warrior, Randy Savage, Paul Orndorff, The British Bulldogs, Andre’ The Giant and many more. There is a lot of variety for the fans to watch and the Network can change the way we all watch TV very soon. Even a lot of my matches are on the WWE Network right now as we speak.”

IF YOU WOULD BOOK RAW FOR ONE NIGHT, HOW WOULD YOU BOOK IT?

“That is a great question. Well I would not get into the whole details but I would have more in ring wrestling, less segments and little comedy. I think the fans would want that too so that way it can balance everything in a good flow. I left a few years ago due to me not agreeing with the direction with the company that it was going too. But now I am happy to be back.”

YOU HAVE RECIEVED MUCH HEAT FROM THE FANS SINCE THE ROYAL RUMBLE, DO YOU LET THAT BOTHER YOU WHILE YOU ARE IN MATCHES AT ALL?

“When I came back earlier this year, it was one of the best moments of my career. I went into the Rumble match and won it and I got booed out the arena. The names such as “Bluetista” or “Bootista” does not bother me. If the fans were in my shoes getting that kind of reception, they would either take it as it is or let that distract them. Whether the fans cheer or boo, I do not care at all as long as I am getting an reaction. It is better than no reaction at all because if you were in the ring with dead silence from the crowd, then that is a problem. Some fans take the sport too seriously with them attacking other fans and wrestlers on twitter and I can say that it has gotten out of hand, but the fans can say whatever they want.”

TO END THE INTERVIEW, DO YOU HAVE ANY ADVICE FOR ANYBODY WHO WANTS TO GET INTO WRESTLING? “Yes I do. if this is for you, go for it. What we do in that ring, we do it for about 300 days a year. You have to have the passion to succeed and to be happy wrestling. Don’t let anybody tell you that you cannot do it because if you believe that you can do it, you will make it. When I was training in the WCW Power Plant, some of the trainers thought I would not make it. but I proved them wrong once I got trained more in WWE. There are other promotions out there but the WWE is the MLB of wrestling. Every night feels like the World Series and WrestleMania is the one major show you would want to make it too. Dreams come true if you stick to what you are planning and what you want to get out of it.”

Follow me on twitter @julianexcalibur

send me email to: Julian@alternativemindz.com

31 days of Halloween:Seduction of the Innocent

http://upload.wikimedia.org/wikipedia/en/2/22/Seduction_of_the_Innocent.jpg

~taken from the Wiki page~

Seduction of the Innocent cited overt or covert depictions of violence, sex, drug use, and other adult fare within “crime comics” — a term Wertham used to describe not only the popular gangster/murder-oriented titles of the time, but superhero and horror comics as well. The book asserted, largely based on undocumented anecdotes, that reading this material encouraged similar behavior in children.

Comics, especially the crime/horror titles pioneered by EC, were not lacking in gruesome images; Wertham reproduced these extensively, pointing out what he saw as recurring morbid themes such as “injury to the eye”.Many of his other conjectures, particularly about hidden sexual themes (e.g. images of female nudity concealed in drawings or Batman and Robin as gay partners), met with derision within the comics industry. Wertham’s claim that Wonder Woman had a bondage subtext was somewhat better documented, as her creator William Moulton Marston had admitted as much;however, Wertham also claimed Wonder Woman’s strength and independence made her a lesbian. Wertham also claimed that Superman was both un-American and a fascist.

First U.K. printing, 1954.

Wertham critiqued the commercial environment of comic book publishing and retailing, objecting to air rifles and knives advertised alongside violent stories. Wertham sympathized with retailers who did not want to sell horror comics, yet were compelled to by their distributors’ table d’hôte product line policies.

Seduction of the Innocent was illustrated with comic-book panels offered as evidence, each accompanied by a line of Wertham’s sardonic commentary. The first printing contained a bibliography listing the comic book publishers cited, but fears of lawsuits compelled the publisher to tear the bibliography page from any copies available, so copies with an intact bibliography are rare. Early complete editions of Seduction of the Innocent often sell for high figures among book and comic book collectors.

It is worth noting that, prior to its publication, Wertham was not an anti-comic crusader, nor did he likely mean for the book to generate the public reaction it did. In Seduction of the Innocent, he puts forth several arguable progressive positions that are sometimes lost in his ‘boogeyman’-like depiction, e.g. by Scott McCloud in Reinventing Comics. For example, Wertham expressed a concern for the impact of impossibly proportioned female characters on girl readers or on the advertisements of violent and harmful toys. Primarily, Wertham assigned the blame to parents, not the industry nor the creators, in his book, and even his anxiety over Batman’s and Robin’s perceived homosexual subtexts was aimed at the welfare of a child introduced to that sort of family unit, not on some a priori immorality or sinfulness to such a lifestyle.Will Brooker also points out in Batman Unmasked: Analyzing a Cultural Icon that Wertham’s notorious reading of Batman and Robin as a homosexual couple was not of his own invention, but was suggested to him by homosexual males whom he interviewed.

Influence

The fame of Seduction of the Innocent added to Wertham’s previous celebrity as an expert witness and made him an obvious choice to appear before the Senate Subcommittee on Juvenile Delinquency led by anti-crime crusader Estes Kefauver. In extensive testimony before the committee, Wertham restated arguments from his book and pointed to comics as a major cause of juvenile crime. The committee’s questioning of their next witness, EC publisher William Gaines, focused on violent scenes of the type Wertham had decried. Though the committee’s final report did not blame comics for crime, it recommended that the comics industry tone down its content voluntarily. Possibly taking this as a veiled threat of potential censorship, publishers developed the Comics Code Authority to censor their own content. The new code not only banned violent images, but entire words and concepts (e.g. “terror” and “zombies”), and dictated that criminals must always be punished. This destroyed most EC-style titles, leaving a sanitized subset of superhero comics as the chief remaining genre. Wertham nevertheless considered the Comics Code inadequate to protect youth.

Among comic-book collectors any comic book with a story or panel referred to in Seduction of the Innocent is known as a “Seduction issue”, and is usually more valued than other issues in the same run of a title. Seduction of the Innocent is one of the few non-illustrative works to be listed in the Overstreet Comic Book Price Guide as a collectible in its own right.

 

BOOM! STUDIOS LAUNCHES SAM HUMPHRIES’ HIGHER EARTH

BOOM! STUDIOS LAUNCHES
SAM HUMPHRIES’
HIGHER EARTH
THIS MAY
ALL-NEW ORIGINAL ONGOING SERIES
FULL FIRST ISSUE
ONLY $1

 http://www.comicbookresources.com/assets/images/articles/1329317227.jpg
Space is dead. Why conquer other planets when there’s a perfectly good Earth in the universe next door? HIGHER EARTH, the epic new sci-fi thriller from BOOM! Studios this May created and written by indie sensation Sam Humphries (OUR LOVE IS REAL, ULTIMATE COMICS: ULTIMATES) and drawn by Francesco Biagini (ELRIC: THE BALANCE LOST), offers the first full 22-page issue of this ongoing series for only $1!

Title ships in May with main covers by Joe Benitez, Phil Noto, Frazer Irving, and Ben Oliver in a 30/30/30/10 split, a retailer incentive variant by David Aja (1:15), a “You Are Illegal On This Earth” variant (1:25), and a sketch variant by Joe Benitez (1:50).

There will also be a special CGC certified 9.8 Near Mint variant by legendary artist Michael Golden (THE MICRONAUTS) (1:100).

“Higher Earth is a sci-fi revenge story set in an empire that has conquered over a hundred earths across alternate time-lines,” says writer Sam Humphries. “We follow Rex and Heidi as they slash a bloody path through an empire where going from one time-line to the next is as natural as taking a flight from New York to London. It’s a massive cognitive leap that is now a day-to-day reality for a civilization of a thousand billion citizens.” “This is the sci-fi thriller Sam has been waiting to tell after his huge success with OUR LOVE IS REAL,” says BOOM! Studios Editor-in-Chief Matt Gagnon.

“With the full first issue priced at only $1, this is a can’t-miss from a hot creator!” says BOOM! Studios Founder and Chief Executive Officer Ross Richie. “Don’t miss out on HIGHER EARTH!”

HIGHER EARTH launches this MAY with a Diamond Order Code of MAR120853.