while the comic book page is under construction here is some filler comic strip joke
sin city parody
Beowulf is an Old English epic poem the author is anonymous. Its creation dates between the 8th and the 11th century, the only surviving manuscript dating to 1010. At 3183 lines, it is notable for its length. It has risen to national epic status in England.
In the poem, Beowulf, a hero of the Geats, battles three antagonists:
Grendel, boundary-land walker,who is attacking the Danish mead hall called Heorot and its inhabitants;
Grendel’s mother she is never given a name in the text, later in life after returning to Geatland (modern southern Sweden) and becoming a king, an unnamed dragon.
He is mortally wounded in the final battle, and after his death he is buried in a barrow in Geatland by his retainers.
Beowulf is a 2007 animated film adaptation by Robert Zemeckis, the film was created through motion capture.
if you have not scene this film take a night off and see it for yourself.
the only way to see this film is in 3d its worth the extra couple of bucks for the plastic glasses
buy the book here
buy the script here
buy the audio book here
there have been a few movies made about beowulf
Beowulf & Grendel (2005) buy this dvd here
Starring: Christopher Lambert
buy the dvd here
Beowulf and the Anglo-Saxons (2003)
buy it here
Starring: Benjamin Bagby
buy the dvd here
I Am Legend is a science fiction novel written in 1954 by Richard Matheson. it tells the story of Robert Neville the last man alive in Los Angeles, California.
The story takes place between 1976 and 1979. the book opens with the monotony and horror of the daily life of the protagonist, Neville is apparently the only survivor of an apocalypse caused by a pandemic of a bacterium, the symptoms of which are very similar to vampirism.
Much of the story is devoted to Neville’s struggles to understand the plague that has infected everyone around him, and the novel details the progress of his discoveries. Instead of asking the reader to accept a supernatural explanation for vampire phenomena, the author strives to offer scientific basis for such symptoms as aversion to garlic, craving of fresh blood, and resistance to bullets but vulnerability to stakes and sunlight.
Get the book here
get the audio book here
this the original cover of the book
the first film made based on I am Legend was:
Last Man on Earth,
Starring – Vincent Price as Richard Morgan, Franca Bettoia as Ruth Collins,Emma Danieli as Virginia Morgan,Giacomo Rossi-Stuart as Uncle Ben Cortman, Christi Courtland as Kathy Morgan
watch the flick for free here
buy it here
the next film was
The Omega Man
Charlton Heston Robert Neville
Anthony Zerbe Matthias
Rosalind Cash Lisa
Paul Koslo Dutch
get the dvd here
check out the trailer for the 2007 flick here
DC comics releasing stories for the film check out trailer here
we paid 20 bucks a pop just to be there on saturday. if you have never gone to a comic book convention ever in life then the big apple con is a great starter convention. we started going to big apple comics convention when they first started back when it was held in 1996 in the basement of St. George’s Church in Manhattan by Michael Carbonaro
The convention is known for its eclectic variety of guests, including many celebrities of comic books, classic TV, movies, animation, pro wrestling, and other forms of pop culture. Some notable guests include Steven Segal, Carrie Fisher, Val Kilmer, Kevin Smith, Frank Miller, Adam West, George A. Romero, Neal Adams, Peter Mayhew, David Prowse, Bill Plympton, Roddy Piper, and many more. It also holds panel discussions and a costume contest hosted by “Captain Zorikh.”
This year has been the year of heroes …….. tv show that is! so actress hayden panettiere the cheerleader from heroes was on hand to take flicks and sign pic, if you spent 30 dollars to get it.
watch out shes got body guards!
in the long run with the price of gas going up, so to is the price of a good comic book convention. go for the comics , go for the stars, go for the full grown adults dressed in colorful costumes. Just go and lose yourself in the fun!
FLOWER PRINCESS AND ROCK PRINCESS
Ohkuninushi, the lord of the land, decided to give his land to the highest goddess, Amateras. Amateras sent a god Hononinigi to reign the land and he became the ancestor of Japanese emperors. Hononinigi fell in love with a beautiful princess, Konohanano-Sakuya-Hime and asked her father Ohyamatsumi for their marriage. Ohyamatsumi sent Konohana’s sister Iwanaga-Hime along with Konohana to make both of them his wives. However, Hononinigi didn’t like Iwanaga because she was so ugly. She was sent back to her father Ohyamatsumi and he got so angry. “I sent my two daughters to you because Konoyaha would bring you prosperity and Iwanaga would have brought you enernal life but you rejected Iwanaga. You and your descendents lost the chance to live forever.” This is why gods (and emperors) die on our land.
Konohana, a flower princess was the symbol of prosperity and Iwanaga, a rock princess represented eternal life.
“Konohana” means flowers on the tree and “Sakuya” means bloom (and “Hime” is princess). The name represents what she is.
“Iwa” means rock and “naga (nagai)” means long
this is the site the above is from
Kabuki performers during the earliest years of the genre were primarily women. Kabuki is thought to have originated in the dances and light theater first performed in Kyoto in 1603 by Okuni, a female attendant at the Izumo shrine. The word kabuki had connotations of the shocking, unorthodox and fashionable, and it came to be applied to the performances of Okuni’s popular troupe and its imitators. Because an important side business of the onna (women’s) kabuki troupes was prostitution, the Tokugawa shogunate disapproved, banning the troupes in 1629 and making it illegal for women to appear on stage. Wakashu (young men’s) kabuki then became popular, but in 1652 it was also banned because of the adverse effect on public morals of the prostitution activities of the adolescent male actors.
With both women and boys banned, kabuki became a theater of mature male performers, although before yaro (men’s) kabuki was permitted to continue performing, the government required that the actors avoid sensual displays and follow the more realistic conventions of the kyogen theater.
The century following the legal mandating of male performers saw many developments in kabuki. Onnagata (female impersonator) roles became increasingly sophisticated, and Ichikawa Danjuro I (1660・704) pioneered the strong, masculine aragoto (rough business) acting style in Edo (now Tokyo), while Sakata Tojuro I (1647・709) developed the refined and realistic wagoto (soft business) style in the Kyoto-Osaka area.
The kabuki stage gradually evolved out of the noh stage, and a draw curtain was added, facilitating the staging of more complex multi-act plays. The hanamichi passageway through the audience came into wide use and provided a stage for the now standard flamboyant kabuki entrances and exits. The revolving stage was first used in 1758.
In the merchant culture of the eighteenth century, kabuki developed in both a competitive and cooperative relationship with the bunraku puppet theater. Although he concentrated on writing for the puppet theater after 1703, Chikamatsu Monzaemon (1653・724) wrote some plays directly for kabuki and is considered one of Japan’s greatest dramatists. Around this time, kabuki was temporarily eclipsed in popularity by the puppet theater in the Kyoto-Osaka area. In an effort to compete, many puppet plays were adapted for kabuki, and the actors even began to imitate the distinctive movements of the puppets.
The fall of the Tokugawa shogunate in 1868 resulted in the elimination of the samurai class and the entire social structure that was the basis for the merchant culture, of which the kabuki theater was a part. There were failed attempts to introduce Western clothes and ideas into kabuki, but major actors such as Ichikawa Danjuro IX (1838・903) and Onoe Kikugoro V (1844・903) urged a return to the classic kabuki repertoire. In the twentieth century, writers such as Okamoto Kido (1872・939) and Mishima Yukio (1925・970), who were not directly connected to the kabuki world, have written plays as part of the shin kabuki (new kabuki) movement. These plays combine traditional forms with innovations from modern theater; a few of them have been incorporated into the classic kabuki repertoire.
While remaining true to its traditional roots, both in the staging of the plays and in the closely knit hierarchy of acting families that define the kabuki world, kabuki today is a vigorous and integral part of the entertainment industry in Japan. The star actors of kabuki are some of Japan’s most famous celebrities, appearing frequently in both traditional and modern roles on television and in movies and plays.
THE UNDERWORLD: understanding the myth
A TRIP TO THE UNDERWORLD
This story is very similar to the Orpheus story in the Greek myth. It’s said that this is not just a coincidence, the myth in Greece or the Oriental countries might have come to Japan through China and Korea.
FOOD OF THE UNDERWORLD
It’s not clear what exactly Izanami ate. In the Greek myth, Persephone ate some pomegranate in the underworld so she could not go back to her mother.
it’s been written that in the beginning the Gods created heaven and earth …the god Izanaki (Izanagi) and the goddess Izanami created the islands of Japan ( Izanaki (Izanagi) and his sister Izanami married, and bore the islands) and also other gods (deities).
Their fruitful union formed many great and powerful things until one day, when Izanami gave birth to the god of fire Kagutsuchi (fire deity), Izanami died from the burns.
Izanaki felt he could not live without his wife, so he went to the underworld to see her.
When he saw her, she said, “I already have eaten the food of the underworld, so I can’t come back to you. But since you are here to see me, I’ll ask the god of the underworld if I can go with you. You have to promise me one thing. Do not try to get a look at me until I come back here.” However, Izanaki could not wait and he went to the palace of the underworld. There he saw his wife’s dreadful body with worms crawling all over it, and the terrifying gods of thunder. Immediately Izanaki ran away and he used a big rock to block his wife from running after him. That is the rock which divides the underworld and this world.
this lower part is taken from wiki
He and his spouse Izanami bore many islands, deities, and forefathers of Japan. When Izanami died in childbirth, Izanagi tried (but failed) to retrieve her from Yomi (the underworld). In the cleansing rite after his return, he begot Amaterasu (the sun goddess) from his left eye, Tsukuyomi (the moon god) from his right eye, and Susanoo (tempest or storm god) from his nose. The story of Izanagi and Izanami has close parallels to the Greek Myth of Orpheus and Eurydice, but it also has a major difference. When Izanagi looks prematurely at his wife, he beholds her monstrous and hellish state and she is shamed and enraged. She pursues him in order to kill him. She fails to do so, but promises to kill a thousand of his people every day. Izanagi retorts that a thousand and five hundred will be born every day.
There are similarities also between Izanami and Izanagi on the one hand, and the Mayan deities Itzamna and Ix Chel. Among the Maya as among the Yamato, the male god is a gentle deity, creator of the sun and moon, while the female goddess (Ix Chel in Central America) is only benevolent while in company of her husband. If isolated from him, she becomes a malevolent goddess of floods, destruction and death. She has a serpent growing from her head, much like Izanami in Yomi.
God Izanagi and Goddess Izanami were married to each other. Izanami could give birth to anything. One day she created the island of Japan. Izanami died when she gave birth to the god of fire from deadly burns during labor. By then she had given birth to 14 islands and 35 gods.
God Izanagi was desperate about the loss of his beloved companion and went down to the underworld to search for Izanami. He also found her. Izanami told Izanagi to wait for her. But he should not turn his head and try to look at her until she would be back.
the guy did not do what his wife told him and followed her instead. In the palace of the underworld he found her in an appalling condition. Terrified, God Izanagi ran away and blocked the entrance to the underworld with a huge rock so that his wife could not follow him.
Shadows of the city
In 1993 I created a three arc story that would span three types of mediums: film, radio, and comicbook. Shadows of the city was to star three assassins. One was blind which would be told as an old style radio drama. Next was deaf and would be told as a silent movie and last the mute as an action comic.
Due to lack of funds we never worked on the any of them and saved the story for later use. After working for googo studios up in the Bronx, I wanted to film something and the itch to film a silent movie came back. I filmed Shadows as a series of short action clips to show before feature films.
Not happy with most of the film footage, I stopped the film only making a short out of all the film we had. The silent film look wasn’t working for me after so many attempts. I decided to dump the silent film look and opt to make the shadows an online comicbook.
Now after nearly 15 years. I am pleased to bring you Shadows of the city! Our first full comicbook for your enjoyment, we will also be showing the short flick “Hunting the Hacker” which was one scene out of the whole Shadows of the city film.
this is a fantastic read (it’s a science book). but let us not jump to conclusions.
the book helps us understand how heroes do the amazing things they do and how it works in real life, don’t look for answers like gamma radiation. this is a book on how and why the spidy can swing on his web and how much force would superman need to use to leap a building in a single bound.