The Flash Season 4, Episode 22 Thoughts

As the team peaks early with one of the best action/effects sequence in the show’s history. After DeVoe gains entry to an ARGUS black site by posing as John Diggle (I understood everything about this except how he knows the counter-password to “Elvis Banana” is “Hendrix Spaghetti”), director Viet Nguyen treats us to the CW-verse version of one of those Netflix/Marvel hallway fights. DeVoe calls upon his full array of powers to fight off the ARGUS forces, from shrinkage to elasticity to breaching to shooting rays from his hands. It’s a symphony of super-villainy, and easily the highlight of this Big Bad’s run on the show, as it serves as a thrilling demonstration of just what Barry and the gang are up against.
That the rest of the episode doesn’t live up to the opening isn’t surprising, but for the most part it’s a decent hour of The Flash. Almost all of the main characters have their moment to shine, which is increasingly a rarity. Starting with the least essential storyline, Joe and Cecile deal with a most unusual pregnancy complication as an increase in her body’s relaxin hormone transforms her mind-reading ability into a full-blown personality transfer, first with the pizza delivery guy and later with Caitlin and Joe. Danielle Nicolet has some fun taking on the different personas, and the payoff for Joe’s knowledge of Lamaze puts an amusing button on what is a largely inconsequential side trip.
David Ramsey’s appearance as Diggle ends up being little more than a cameo, although it’s nice that Team Flash is prepared to greet him with a bucket after his super-speed trip to Central City. Caitlin’s quest to reclaim Killer Frost takes an unexpected turn when she recovers a memory fragment of a childhood bike-riding accident. When Cisco vibes her into that lost moment, she catches a glimpse of her childhood self looking rather Frosty, meaning her meta power long predates the particle accelerator explosion. That actually makes her obsession with restoring Frost a bit more plausible, as she must have been aware on a subconscious level that her alter ego has been a part of her for much longer than everyone thought.
The main objective this week is to prevent DeVoe from harnessing Fallout’s nuclear power to launch his satellites and bring about the Enlightenment while also saving the half-dozen ARGUS guards suspended above the facility’s deadly electrical plates. The only way to accomplish this task is for Barry to pull Caitlin and Cisco into the Speed Force with him (Remember how there used to be a surplus of speedsters on this show? They’d all come in handy now, huh?), which leads to a lot of Barry angst about not wanting to put his friends in danger. That ship sailed seasons ago, buddy! The strangest part of all this is that Cisco and Caitlin are able to convince him they can pull it off with a little more training, after which point there is…no more training. They head directly to the A.R.G.U.S. site to do it for real. I guess it’s the thought that counts?
They’re able to pull it off, not that it matters. After Barry stands idly by listening to DeVoe’s Nietzsche quotes and other villainous philosophizing about the uselessness of emotions, the Thinker breaches away to STAR Labs and hijacks one of their satellites to replace the one Barry destroyed. Seriously, dude, you could have snatched him away in mid-sentence and let him finish his monologue in a pipeline cell. Next week could have been a full hour of baby-birthing drama.
Instead, the Enlightenment has begun and Team Flash now has 60 minutes left in the season to stop it. No one is sure how to do that except dumb ol’ Harry, who knows they can turn Marlize because she’ll want to try to save the man she loves inside the monster. I enjoyed the pairing of Harry and Iris (excuse me, West-Allen) this week; they’re an underused duo, and Candice Patton’s cheerful exasperation makes her a good foil for Tom Cavanagh’s slapstick take on IQ-diminished Harry. As much as the storytelling often makes me roll my eyes, the characters sometimes still come through to save the day.
The episode kicked off in a familiar setting: Dr. Sharon Finkel’s office. During her session, Caitlin attempted to explain her situation without outing herself as Killer Frost. As she spoke to Dr. Finkel, she referred simply to her “lost friend,” who recently disappeared from her life. However, Dr. Finkel changed the topic and brought up the idea of repressed memories, suggesting that Caitlin was repressing some traumatic childhood memory. Caitlin laughed her off and explained that this friend had only appeared recently, when she was an adult.
Nevertheless, Caitlin got a flash of a memory as she and Cisco trained with Barry to capitalize on his ability to bring other people into his Speed Force aura. When she got knocked out of super speed, she got a glimpse of a long-forgotten memory, where she fell off her bike and was almost run over by a truck as a man screamed her name. This continued to bother her for the remainder of the episode, up until one of the very last scenes.
As Caitlin and Cisco helped Clifford DeVoe’s hostages out of the ARGUS facility, she asked him to vibe this memory. After some initial hesitation, he acquiesced. In the full memory, Caitlin saw the near-accident again, but this time there was a twist: she caught a glimpse of herself in the truck’s side-view mirror and saw Killer Frost’s face peering back. At the sight of Killer Frost’s visage, young Caitlin screamed and the memory ended.
The fact that Killer Frost — or some version of her — has existed since Caitlin’s childhood has major implications. For one, Killer Frost came to be long before the particle accelerator explosion; this means metahumans may have existed in the Arrowverse before The Flash‘s game-changing premiere episode. Since the repressed memory seems to do with her father, this could indicate we will learn more about this mysterious figure, who has only been mentioned on the series so far. It wouldn’t be surprising, then, if he has something to do with the creation (or perhaps suppression) of Killer Frost. However, we’ll probably have to wait until Season 5 to learn more about Killer Frost’s true past.
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FOX’s Fall 2018 Television Lineup

Dana Walden and Gary Newman, Chairmen and CEOs, Fox Television Group, today will unveil the FOX primetime slate for the 2018-2019 television season to the national advertising community during its annual Programming Presentation at the Beacon Theatre.

“This year, we launched four of the Top 10 new shows on broadcast, which led to a very strong roster of young series returning for their sophomore seasons. That gives us tremendous momentum heading into the fall,” said Newman and Walden. “With our increased investment in football, we’re going to use the powerful platform of the NFL to launch our new comedies. We’ll then take some big swings with dramas at midseason, which is a proven strategy for FOX.”

The new comedies joining the lineup this fall are REL and THE COOL KIDS. Inspired by the life of Lil Rel Howery (“Get Out,” “Insecure,” “The Carmichael Show”), REL is a multi-camera comedy starring Howery as a loving husband and father living in Chicago, who finds out his wife is having an affair, and must rebuild his life as a single father, following his divorce. The comedy also stars Sinbad (“A Different World,” “The Sinbad Show,” “Jingle All The Way”), Jess “Hilarious” Moore (“Wild ’N Out”) and Jordan L. Jones (“NCIS: Los Angeles,” “Wisdom of the Crowd”).

From executive producer Charlie Day (“It’s Always Sunny in Philadelphia”), THE COOL KIDS is a multi-camera comedy about a rag-tag group of friends living in a retirement community who are willing to break every rule in order to have fun – because, at their age, what do they really have to lose? The series stars four comedy veterans: Tony Award nominee David Alan Grier (“The Carmichael Show,” “In Living Color”), Emmy Award nominee Martin Mull (“Veep,” “Roseanne”), Emmy Award winner Leslie Jordan (“Will and Grace,” “American Horror Story”) and Emmy Award winner Vicki Lawrence (“Mama’s Family,” “The Carol Burnett Show”).

Also this fall, hit comedy LAST MAN STANDING joins the FOX lineup. A fan-favorite for six seasons, the series stars Tim Allen as MIKE BAXTER, a married father of three girls, who tries to maintain his manliness, despite being surrounded by women. The series also stars Nancy Travis, Jonathan Adams, Amanda Fuller, Christoph Sanders and Jordan Masterson. LAST MAN STANDING and THE COOL KIDS will anchor a brand-new Friday night comedy block.

In its 25th season of NFL coverage, the new THURSDAY NIGHT FOOTBALL PREGAME SHOW will be FOX Sports’ first New York City-based live NFL studio show, complementing FOX NFL SUNDAY, the No. 1 NFL pregame show for the last 24 seasons and the network’s signature program, of which Terry Bradshaw and Howie Long have been an integral part since its inception in 1994. The new THURSDAY NIGHT FOOTBALL PREGAME SHOW will be produced by Executive Vice President of Production, Bill Richards, who also oversees FOX NFL KICKOFF and FOX NFL SUNDAY.

Also this fall, 9-1-1, the network’s No. 1 scripted series, returns on a new night and time, Mondays at 9:00-10:00 PM ET/PT.

In 2019, additional new series and events joining the schedule include dramas THE PASSAGE and PROVEN INNOCENT; a live musical production of RENT; and a brand-new COSMOS installment, COSMOS: POSSIBLE WORLDS.

Based on author Justin Cronin’s best-selling trilogy of the same name, THE PASSAGE is an epic, character-driven thriller written by Liz Heldens (“Friday Night Lights”). Executive-produced by Heldens, Emmy Award winner and Academy Award and Golden Globe nominee Ridley Scott (“The Martian,” “Gladiator”) and writer/director Matt Reeves (“Dawn of the Planet of the Apes,” “Cloverfield”), THE PASSAGE focuses on Project Noah, a secret medical facility where scientists are experimenting with a dangerous virus that could lead to the cure for all disease, but also carries the potential to wipe out the human race. When a young girl (Saniyya Sidney, “Fences,” “Hidden Figures”) is chosen to be a test subject, a federal agent (Mark-Paul Gosselaar, “Pitch”) is tasked with bringing her in, but ultimately, becomes her surrogate father, determined to protect her at any cost – even as Project Noah’s work threatens to unleash an unimaginable apocalypse.

Emmy and Golden Globe Award winner and EMPIRE co-creator Danny Strong partners with David Elliot (“Four Brothers”) to tell the emotional story of one woman’s fight for the innocence of others, as well as her own. PROVEN INNOCENT follows an underdog criminal defense firm led by a fierce and uncompromising lawyer, who was wrongfully convicted in a sensational murder case that made her an infamous media obsession, a household name and a national cause célèbre. The drama stars Rachelle Lefevre (“Under the Dome,” “A Gifted Man”), Vincent Kartheiser (“Mad Men”), Russell Hornsby (“Seven Seconds,” “Grimm”), Brian d’Arcy James (“13 Reasons Why,” “Spotlight”) and Tony Award winner Nikki M. James (“BrainDead,” “The Good Wife,” “The Book of Mormon”).

Also at midseason, GOTHAM will air its fifth and final season, wrapping up this beloved series in a farewell event that will focus on Bruce Wayne’s (David Mazouz) transformation into the caped crusader. GOTHAM is an origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller and executive producers Danny Cannon and John Stephens, GOTHAM follows the rise of Det. James Gordon (Ben McKenzie) through a dangerously corrupt city teetering between good and evil, and chronicles the birth of one of the most popular super heroes of our time. The series also stars Donal Logue, Morena Baccarin, Sean Pertwee, Robin Lord Taylor, Erin Richards, Camren Bicondova, Cory Michael Smith, Jessica Lucas, Chris Chalk, Drew Powell, Alexander Siddig and Crystal Reed.

The live musical production of the groundbreaking, Tony Award- and Pulitzer Prize-winning musical RENT comes to FOX on Sunday, Jan. 27, 2019 (7:00-10:00 PM ET live/PT tape-delayed). A re-imagining of Puccini’s “La Bohème,” and set in New York City’s gritty East Village, RENT tells the unforgettable story of seven artists struggling to follow their dreams during a time of great social and political turmoil. Winner of four Tony Awards and the Pulitzer Prize, writer/composer Jonathan Larson’s tour de force continues to offer an inspiring message of hope and friendship. Acclaimed film, television and theater producer Marc Platt (“Grease: Live,” “La La Land,” “Wicked”), along with the estate of writer/composer Jonathan Larson, will executive-produce the live musical event.

Airing as a global event on FOX and National Geographic in 180 countries and 43 languages, the Emmy and Peabody Award-winning COSMOS will return for its third season in Spring 2019. It will once again be executive-produced, written and directed by Ann Druyan (NASA’s Voyager Record, “Cosmos: A Personal Voyage,” “Contact”); executive-produced by Seth MacFarlane, Brannon Braga and Jason Clark; and hosted by Neil deGrasse Tyson, the famed pop-culture icon and astrophysicist. Continuing the legacy of its predecessors, COSMOS: POSSIBLE WORLDS will translate the revelations of science into a lavishly transporting experience, taking audiences on a series of spiritual voyages of exploration. The new season will reveal previously uncharted realms, including lost worlds and worlds to come, and those that we may one day inhabit in a thrilling future we can still have.

During the 2018-2019 season, several FOX series will celebrate major milestones, including THE SIMPSONS’ landmark 30th anniversary, FAMILY GUY’s 20th anniversary and BOB’S BURGERS’ 150th episode.

FOX’s full 2018-2019 programming slate is – Dramas: 9-1-1, EMPIRE, THE GIFTED, GOTHAM, LETHAL WEAPON, THE ORVILLE, THE PASSAGE, PROVEN INNOCENT, THE RESIDENT, STAR; Comedies: BOB’S BURGERS, THE COOL KIDS, FAMILY GUY, LAST MAN STANDING, REL, THE SIMPSONS; Live Events: RENT; Event Series: COSMOS: POSSIBLE WORLDS; Unscripted: BEAT SHAZAM, THE FOUR: BATTLE FOR STARDOM, GORDON RAMSAY’S 24 HOURS TO HELL & BACK, HELL’S KITCHEN, LOVE CONNECTION, MASTERCHEF, MASTERCHEF JUNIOR, SHOWTIME AT THE APOLLO, SO YOU THINK YOU CAN DANCE.

Fear The Walking Dead S4E5 Live Thoughts

Last night we discovered on AMC episode 5 of this season of FTWD which has been looking at the relationship between John and Laura (aka Naomi).


At first we discover the life that leads John, alone in his cabin lost in the middle of nowhere in the zombie apocalypse. He leads a rather quiet and routine life isolated from the world. One day he discovers a boat aground in front of his house with a woman on board seriously injured. We recognize life Naomi who will eventually be renamed Laura by John because he ignores his real name.

He will take care of her and help her to recover. During his convalescence the two characters will get to know each other allowing us to know them too. We discover that John was a policeman, Laura nurse. She will first be ultra cautious towards her host before finally let herself go. Normal at the same time, who would not be in the middle of the apocalypse? We will learn at the turning of a non conversation that she lost her child. For his part John remains quite evasive about his past as a policeman and his refusal to use a gun, even against the dead. Only Laura will break the shell. During a small invasion of the dead who disembark from the river John takes up arms to save Laura’s life. We discover that he is an exceptional shooter.

The episode ends like a romantic comedy. John will hardly admit his feelings to Laura, who are visibly reciprocated. But the next day our cowboy wakes up alone. Laura left without leaving him a message also confessing her feelings.

The latest images take us back to the present, John has just told his story to Morgan who tries to convince him that there is still hope that she is alive. This is also what we say as viewers, if not what interest to tell their story in detail? We want to believe it.

It was a fairly long episode, almost irrelevant to the context of the series but it has at least the merit of having us discover a little more these two new characters that are John and Laura.

Next week back in the present, but not that.

 

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Fear The Walking Dead Showrunner Addresses Missing Character’s Fate

The showrunners of “Fear the Walking Dead” have finally revealed the fate of one of the main characters that we have not seen yet in season four. The speech is from Daniel Salazar (Rubén Blades), who has become a fan favorite since the first season. All who feared that he has blessed the time may now breathe a sigh of relief.
What’s more, it looks like we’ll see more of Daniel in the future and explore a whole new environment. In an interview with “TV Line” and “Entertainment Weekly”, “Fear” showrunner Andrew Chambliss surprisingly hinted at another crossover moment.

“Chances are good that he appears in the Walking Dead Universe?”, Chambliss elicit. “He’s alive and out there.” Only the details of Daniel’s survival need to be dispensed with for the time being. That might also be related to the 9th season “The Walking Dead”; Filming started on May 1, 2018.

In the season eight finale, Morgan (Lennie James) left the successful zombie series to join the companion series “Fear the Walking Dead.” The place left by Morgan could soon be filled by Daniel Salazar.

In any case, he would be an exciting addition to Rick’s group, who now seek a harmonious life after defeating Negan (Jeffrey Dean Morgan). Whether they succeed, is questionable. After all, there is not only Daniel, but also the next dangerous enemies.

 

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The Wrestling Court Episode 184-Backlash 2018 thoughts

Julian is here with a good solo show covering the disastrous backlash 2018 ppv along with the rumors about Carmella and John Cena, Jim Ross’ comments about the women not deserving pay from the greatest royal rumble, the WWF Cookbook and much more.

Sign up for Audible for a free 30 day trial. You can cancel any time you wish within those 30 days but once you sign up, you will get the chance to download a free audiobook. I recommend to check out the Daniel Bryan, Hulk Hogan, Chris Jericho and Jake Roberts book if you want something wrestling related but if not, you can get something non wrestling related in the massive library of audiobooks. Sign up via this link:

www.audibletrial.com/thewrestlingcourt

Subscribe to TWC via these links iTunes, stitcher radio, Tunein radio Player.FM, Spotify, and podomatic.com and listen live via mixlr.

Itunes link

https://itunes.apple.com/us/podcast/the-wrestling-court/id1025244200?mt=2

stitcher radio link

http://www.stitcher.com/podcast/the-wrestling-court-from-podomatic

player.fm link

https://player.fm/series/the-wrestling-court

Spotify:

https://open.spotify.com/show/0BR7h7f9GLg2qNGQgxO2Nt

mixlr link to listen live every wednesday at 8pm

http://mixlr.com/the-wrestling-court/

Tunein Radio link
http://tunein.com/radio/The-Wrestling-Court-p900606/

like the TWC fanpage on facebook
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@julianexcalibur @AltMindz @QuinnCanTweet @JaydeeTalksWWE, @MoneyMakerChris

 

 

Bullet Club Invades Funko Pop with their new line

Members of New Japan Pro Wrestling’s Bullet Club will become the first non WWE contracted wrestlers to have Funko Pop figures and i am excited about this. This will open the door for many other popular independent wrestlers to have this deal and these four huge names got it first. The series includes, Matt and Nick Jackson of The Young Bucks, Kenny Omega, and “The American Nightmare” Cody as they make their first appearances as Funko Pop figures. Check these images out below.

Also, this variant of The Young Bucks is an HotTopoc exclusive along with this cool t-shirt below.

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Fear The Walking Dead Season 4, Episode 4 Quick Thoughts.

We are not at the end of our surprises apparently in Fear the Walking Dead. Indeed, in this new episode we follow Alicia, Strand and Luciana in their adventures. We understand then what embodies the characters in this quest for revenge against the Vultures. The series then decides to reveal a little more information, and very well kept secrets are revealed in order to once again break the trick and advance the series. Casually, I feel that Fear the Walking Dead has done more in four episodes than the last season’s first four episodes. It’s not Alicia and Naomi who are talking about papers and rags that will really advance the story but in the rest of the episode there are a lot of good elements that can just please a viewer who may want to see more. The inventiveness of Fear the Walking Dead goes much further as the credits change episodes into episodes in order to highlight the things that should be followed very soon. The episode was full of good surprises from start to finish in order to see a little more of the group’s life at The Diamond. But the way it’s all done has never seemed surreal and it’s very good news, especially when we remember some of the problematic intrigues we’ve seen in Fear the Walking Dead.

The water park is a welcome change of place in the series. I would say that the season would have been much more terrifying if it had happened at night but hey, it’s already well enough done so that we do not have to criticize. If I like the character of Naomi, recently arrived this year, I still have some doubts about his real intentions. She seems to be someone trustworthy but like Charlie finally. Even her innocent conversation with Alicia about the churros leaves me a little pensive about it. I guess Fear the Walking Dead has something in store with her that might implicate her in something much less friendly to our group of characters. But at times, I wonder what justifies the killing of others when behind there is nothing to recover. The back and forth between flashbacks during the episode can still be polarizing for viewers (four episodes straight!), but the story development is quite good so far. Lets hope that there will be less flashbacks for the rest of the season. The water park? I will give it without any problem to the bad guys if it is to have life saved. But in the world of Fear the Walking Dead they could still be killed, even if they do not rebel. It’s still damn strange at times. But man is a wolf for the man. This is what we must remember from this series and his big sister. The big revelation is that Naomi is John’s girlfriend. All this surprised me in the good sense of the term, which allows once again to change the story and characters.

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McFarlane Toys-AMC’s The Walking Dead Negan Resin Statue

This fall, we will see the release of a new statue from McFarlane Toys and this time, it is Negan from AMC’s The Walking Dead. There is already a statue of him, but this time it is the first time they are releasing the television version of the same character and they have used the likeness of Jeffrey Dean Morgan to bring this statue to life. It features Negan bashing a walker in the head with his barbed-wired baseball bat Lucille along with two other walkers trying to attack him. This will be a must own for collectors but it will come with a price but here is the information below:

“One of the most iconic villains in television history brings a menacing  demeanor with a weapon to match. Negan, the leader of The Saviors carries his trusted weapon of choice, Lucille, a baseball bat adorned in barbed wire. No matter what Rick Grimes and his crew do, no one is safe when Negan comes around wielding Lucille.”

Product features:

• Showcases Negan in battle with three walkers featuring exploding head walker

• Features alternate interchangeable head

• 12.25 inches tall, 12.5 inches in depth

• Extreme amounts of detail action-packed into one commemorative resin

• Limited Edition, hand painted cold-cast resin statue

• Only 1,000 total statues produced

• Features Magnetic Assembly and a Rotating Base

• Each statue is individually and sequentially numbered

• Includes Certificate of Authenticity hand-signed by Todd McFarlane

The gruesome resin statue will cost you $329.

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Fear The Walking Dead just pulled off the biggest death since Carl Grimes on The Walking Dead

Three episodes into the newest season of Fear The Walking Dead and the new show runners pulled a major plot twist. Yes, they killed Nick Clark on yesterday’s episode “Good Out Here” as social media across all platforms exploded as everyone wanted to know why would they do this to the main character of the show. He has been the focal point of the show since the very first episode and he was the only character besides Madison and Walker that was very interesting for me to get behind. During the episode, Nick kills one of The Vultures while he was debating with Morgan. The Vulture that he killed is also the guardian of the young girl, Charlie, that we have seen on last week’s episode. Morgan has warned Nick beforehand about killing the guy and he did so and in retaliation, the girl shoots Nick at the stomach. He then fell down as the other characters watched in horror realizing that he has died.

Although i will praise AMC for their unpredictably for doing this move, this makes me question why did they not have him killed off at the season 3 finale when the large dam exploded. Everyone was about to send their pitchforks towards Scott Gimple but that was not the case as he (Frank Dillane) requested to leave the show.

“It actually goes back to season three, before Ian and I even came aboard,” Fear The Walking Dead co-showrunner Andrew Chambliss told the Hollywood Reporter. “Frank Dillane had asked the producers and AMC if he could leave the show, because he wanted to pursue other opportunities. One of the first things we were tasked with when we came on to run season four was to really find a story that would give Nick a fitting sendoff. He’s been with the show from day one, so it was very important to us and to Frank to find a death for him that was emotional and one that would ripple forward throughout the storytelling. “

Killing a very popular character right in the beginning of the season is a huge risk. Last season, Travis was killed off and he was starting to become a popular character. Will the rest of the season actually be saved after this major death, Time will tell and all of us will have to find out. The biggest problem is, the other characters are not fully developed yet and it will take more than Morgan to save the rest of the season.

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Columbia Pictures are now accepting idea submissions at Wizard World Philadelphia this year!

Wizard World and Columbia Pictures Now Accepting Idea Submissions at Wizard World Philadelphia

Wizard World and Columbia Pictures Now Accepting Idea Submissions at Wizard World Philadelphia

Original IP Submissions From Attendees, Artists, Exhibitors Accepted Online Through May 10; Accepted Pitch Sessions To Occur During Event, May 17-18 At Pennsylvania Convention Center

LOS ANGELES, April 27, 2018—Do you have an original idea for a movie? And do you plan on attending Wizard World Comic Con Philadelphia? This could be your day.

Wizard World, Inc. and Columbia Pictures Industries, Inc., an affiliate of Sony Pictures Entertainment Inc., today began accepting content ideas online, with potential pitch sessions to be scheduled during Wizard World Comic Con Philadelphia on Thursday and Friday, May 17-18, at the Pennsylvania Convention Center. This marks the second activation of the recently announced collaboration between the pop culture convention producer and leading studio, following a successful debut earlier this month in Portland, Ore.

Whether a paid attendee, artist or exhibitor, anyone who plans on attending Wizard World Comic Con Philadelphia and can be available on Thursday and/or Friday, May 17-18, may submit an idea now through May 10 at 5 p.m. PT via Wizard World’s dedicated Website at https://wizardworld.com/2018-philadelphia-pitchfest. Any submissions which are selected in Columbia Pictures’ sole discretion will participate in a pitch session to take place at designated dates/times during the event.

One idea submission is permitted per person; In order to be considered, submissions must be a fully-owned original idea and must not infringe on any copyrighted material. Anyone participating in the pitch must be a registered Wizard World Comic Con Philadelphia attendee, artist or exhibitor, and must be 18 years of age or older and a legal U.S. resident.

“After such positive feedback in our first sessions at Wizard World Comic Con Portland, we are excited to team up with Columbia Pictures on identifying outstanding original ideas from our creative attendees, artists and exhibitors in Philadelphia,” said John D. Maatta, CEO of Wizard World. “We look forward to seeing a variety of submissions and see this as an important step in a broad-based relationship with Columbia Pictures as Wizard World furthers its lead role in the pop culture industry.”

Full information, including Wizard World’s and Sony Pictures’ respective Privacy Policies, submission guidelines and terms and conditions are available on the submission form https://wizardworld.com/2018-philadelphia-pitchfest.

Wizard World Comic Con events bring together thousands of fans of all ages to celebrate the best in pop culture: movies, television, gaming, live entertainment, comics, sci-fi, graphic novels, toys, original art, collectibles, contests and more. The fifth event scheduled on the 2018 Wizard World calendar, the 2018 Philadelphia show hours are Thursday, May 17, 4-9 p.m.; Friday, May 18, noon-7 p.m.; Saturday, May 19, 10 a.m.-7 p.m.; Sunday, May 20, 10 a.m.-4 p.m. Kids 10 and under are admitted free with paid adult.

Wizard World Comic Con Philadelphia is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor and participate in the famed Wizard World Costume Contest on Saturday evening.

For more on the 2018 Wizard World Philadelphia, visit http://wizd.me/PhiladelphiaPR.