The Flash Season 4, Episode 22 Thoughts

As the team peaks early with one of the best action/effects sequence in the show’s history. After DeVoe gains entry to an ARGUS black site by posing as John Diggle (I understood everything about this except how he knows the counter-password to “Elvis Banana” is “Hendrix Spaghetti”), director Viet Nguyen treats us to the CW-verse version of one of those Netflix/Marvel hallway fights. DeVoe calls upon his full array of powers to fight off the ARGUS forces, from shrinkage to elasticity to breaching to shooting rays from his hands. It’s a symphony of super-villainy, and easily the highlight of this Big Bad’s run on the show, as it serves as a thrilling demonstration of just what Barry and the gang are up against.
That the rest of the episode doesn’t live up to the opening isn’t surprising, but for the most part it’s a decent hour of The Flash. Almost all of the main characters have their moment to shine, which is increasingly a rarity. Starting with the least essential storyline, Joe and Cecile deal with a most unusual pregnancy complication as an increase in her body’s relaxin hormone transforms her mind-reading ability into a full-blown personality transfer, first with the pizza delivery guy and later with Caitlin and Joe. Danielle Nicolet has some fun taking on the different personas, and the payoff for Joe’s knowledge of Lamaze puts an amusing button on what is a largely inconsequential side trip.
David Ramsey’s appearance as Diggle ends up being little more than a cameo, although it’s nice that Team Flash is prepared to greet him with a bucket after his super-speed trip to Central City. Caitlin’s quest to reclaim Killer Frost takes an unexpected turn when she recovers a memory fragment of a childhood bike-riding accident. When Cisco vibes her into that lost moment, she catches a glimpse of her childhood self looking rather Frosty, meaning her meta power long predates the particle accelerator explosion. That actually makes her obsession with restoring Frost a bit more plausible, as she must have been aware on a subconscious level that her alter ego has been a part of her for much longer than everyone thought.
The main objective this week is to prevent DeVoe from harnessing Fallout’s nuclear power to launch his satellites and bring about the Enlightenment while also saving the half-dozen ARGUS guards suspended above the facility’s deadly electrical plates. The only way to accomplish this task is for Barry to pull Caitlin and Cisco into the Speed Force with him (Remember how there used to be a surplus of speedsters on this show? They’d all come in handy now, huh?), which leads to a lot of Barry angst about not wanting to put his friends in danger. That ship sailed seasons ago, buddy! The strangest part of all this is that Cisco and Caitlin are able to convince him they can pull it off with a little more training, after which point there is…no more training. They head directly to the A.R.G.U.S. site to do it for real. I guess it’s the thought that counts?
They’re able to pull it off, not that it matters. After Barry stands idly by listening to DeVoe’s Nietzsche quotes and other villainous philosophizing about the uselessness of emotions, the Thinker breaches away to STAR Labs and hijacks one of their satellites to replace the one Barry destroyed. Seriously, dude, you could have snatched him away in mid-sentence and let him finish his monologue in a pipeline cell. Next week could have been a full hour of baby-birthing drama.
Instead, the Enlightenment has begun and Team Flash now has 60 minutes left in the season to stop it. No one is sure how to do that except dumb ol’ Harry, who knows they can turn Marlize because she’ll want to try to save the man she loves inside the monster. I enjoyed the pairing of Harry and Iris (excuse me, West-Allen) this week; they’re an underused duo, and Candice Patton’s cheerful exasperation makes her a good foil for Tom Cavanagh’s slapstick take on IQ-diminished Harry. As much as the storytelling often makes me roll my eyes, the characters sometimes still come through to save the day.
The episode kicked off in a familiar setting: Dr. Sharon Finkel’s office. During her session, Caitlin attempted to explain her situation without outing herself as Killer Frost. As she spoke to Dr. Finkel, she referred simply to her “lost friend,” who recently disappeared from her life. However, Dr. Finkel changed the topic and brought up the idea of repressed memories, suggesting that Caitlin was repressing some traumatic childhood memory. Caitlin laughed her off and explained that this friend had only appeared recently, when she was an adult.
Nevertheless, Caitlin got a flash of a memory as she and Cisco trained with Barry to capitalize on his ability to bring other people into his Speed Force aura. When she got knocked out of super speed, she got a glimpse of a long-forgotten memory, where she fell off her bike and was almost run over by a truck as a man screamed her name. This continued to bother her for the remainder of the episode, up until one of the very last scenes.
As Caitlin and Cisco helped Clifford DeVoe’s hostages out of the ARGUS facility, she asked him to vibe this memory. After some initial hesitation, he acquiesced. In the full memory, Caitlin saw the near-accident again, but this time there was a twist: she caught a glimpse of herself in the truck’s side-view mirror and saw Killer Frost’s face peering back. At the sight of Killer Frost’s visage, young Caitlin screamed and the memory ended.
The fact that Killer Frost — or some version of her — has existed since Caitlin’s childhood has major implications. For one, Killer Frost came to be long before the particle accelerator explosion; this means metahumans may have existed in the Arrowverse before The Flash‘s game-changing premiere episode. Since the repressed memory seems to do with her father, this could indicate we will learn more about this mysterious figure, who has only been mentioned on the series so far. It wouldn’t be surprising, then, if he has something to do with the creation (or perhaps suppression) of Killer Frost. However, we’ll probably have to wait until Season 5 to learn more about Killer Frost’s true past.
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FOX’s Fall 2018 Television Lineup

Dana Walden and Gary Newman, Chairmen and CEOs, Fox Television Group, today will unveil the FOX primetime slate for the 2018-2019 television season to the national advertising community during its annual Programming Presentation at the Beacon Theatre.

“This year, we launched four of the Top 10 new shows on broadcast, which led to a very strong roster of young series returning for their sophomore seasons. That gives us tremendous momentum heading into the fall,” said Newman and Walden. “With our increased investment in football, we’re going to use the powerful platform of the NFL to launch our new comedies. We’ll then take some big swings with dramas at midseason, which is a proven strategy for FOX.”

The new comedies joining the lineup this fall are REL and THE COOL KIDS. Inspired by the life of Lil Rel Howery (“Get Out,” “Insecure,” “The Carmichael Show”), REL is a multi-camera comedy starring Howery as a loving husband and father living in Chicago, who finds out his wife is having an affair, and must rebuild his life as a single father, following his divorce. The comedy also stars Sinbad (“A Different World,” “The Sinbad Show,” “Jingle All The Way”), Jess “Hilarious” Moore (“Wild ’N Out”) and Jordan L. Jones (“NCIS: Los Angeles,” “Wisdom of the Crowd”).

From executive producer Charlie Day (“It’s Always Sunny in Philadelphia”), THE COOL KIDS is a multi-camera comedy about a rag-tag group of friends living in a retirement community who are willing to break every rule in order to have fun – because, at their age, what do they really have to lose? The series stars four comedy veterans: Tony Award nominee David Alan Grier (“The Carmichael Show,” “In Living Color”), Emmy Award nominee Martin Mull (“Veep,” “Roseanne”), Emmy Award winner Leslie Jordan (“Will and Grace,” “American Horror Story”) and Emmy Award winner Vicki Lawrence (“Mama’s Family,” “The Carol Burnett Show”).

Also this fall, hit comedy LAST MAN STANDING joins the FOX lineup. A fan-favorite for six seasons, the series stars Tim Allen as MIKE BAXTER, a married father of three girls, who tries to maintain his manliness, despite being surrounded by women. The series also stars Nancy Travis, Jonathan Adams, Amanda Fuller, Christoph Sanders and Jordan Masterson. LAST MAN STANDING and THE COOL KIDS will anchor a brand-new Friday night comedy block.

In its 25th season of NFL coverage, the new THURSDAY NIGHT FOOTBALL PREGAME SHOW will be FOX Sports’ first New York City-based live NFL studio show, complementing FOX NFL SUNDAY, the No. 1 NFL pregame show for the last 24 seasons and the network’s signature program, of which Terry Bradshaw and Howie Long have been an integral part since its inception in 1994. The new THURSDAY NIGHT FOOTBALL PREGAME SHOW will be produced by Executive Vice President of Production, Bill Richards, who also oversees FOX NFL KICKOFF and FOX NFL SUNDAY.

Also this fall, 9-1-1, the network’s No. 1 scripted series, returns on a new night and time, Mondays at 9:00-10:00 PM ET/PT.

In 2019, additional new series and events joining the schedule include dramas THE PASSAGE and PROVEN INNOCENT; a live musical production of RENT; and a brand-new COSMOS installment, COSMOS: POSSIBLE WORLDS.

Based on author Justin Cronin’s best-selling trilogy of the same name, THE PASSAGE is an epic, character-driven thriller written by Liz Heldens (“Friday Night Lights”). Executive-produced by Heldens, Emmy Award winner and Academy Award and Golden Globe nominee Ridley Scott (“The Martian,” “Gladiator”) and writer/director Matt Reeves (“Dawn of the Planet of the Apes,” “Cloverfield”), THE PASSAGE focuses on Project Noah, a secret medical facility where scientists are experimenting with a dangerous virus that could lead to the cure for all disease, but also carries the potential to wipe out the human race. When a young girl (Saniyya Sidney, “Fences,” “Hidden Figures”) is chosen to be a test subject, a federal agent (Mark-Paul Gosselaar, “Pitch”) is tasked with bringing her in, but ultimately, becomes her surrogate father, determined to protect her at any cost – even as Project Noah’s work threatens to unleash an unimaginable apocalypse.

Emmy and Golden Globe Award winner and EMPIRE co-creator Danny Strong partners with David Elliot (“Four Brothers”) to tell the emotional story of one woman’s fight for the innocence of others, as well as her own. PROVEN INNOCENT follows an underdog criminal defense firm led by a fierce and uncompromising lawyer, who was wrongfully convicted in a sensational murder case that made her an infamous media obsession, a household name and a national cause célèbre. The drama stars Rachelle Lefevre (“Under the Dome,” “A Gifted Man”), Vincent Kartheiser (“Mad Men”), Russell Hornsby (“Seven Seconds,” “Grimm”), Brian d’Arcy James (“13 Reasons Why,” “Spotlight”) and Tony Award winner Nikki M. James (“BrainDead,” “The Good Wife,” “The Book of Mormon”).

Also at midseason, GOTHAM will air its fifth and final season, wrapping up this beloved series in a farewell event that will focus on Bruce Wayne’s (David Mazouz) transformation into the caped crusader. GOTHAM is an origin story of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller and executive producers Danny Cannon and John Stephens, GOTHAM follows the rise of Det. James Gordon (Ben McKenzie) through a dangerously corrupt city teetering between good and evil, and chronicles the birth of one of the most popular super heroes of our time. The series also stars Donal Logue, Morena Baccarin, Sean Pertwee, Robin Lord Taylor, Erin Richards, Camren Bicondova, Cory Michael Smith, Jessica Lucas, Chris Chalk, Drew Powell, Alexander Siddig and Crystal Reed.

The live musical production of the groundbreaking, Tony Award- and Pulitzer Prize-winning musical RENT comes to FOX on Sunday, Jan. 27, 2019 (7:00-10:00 PM ET live/PT tape-delayed). A re-imagining of Puccini’s “La Bohème,” and set in New York City’s gritty East Village, RENT tells the unforgettable story of seven artists struggling to follow their dreams during a time of great social and political turmoil. Winner of four Tony Awards and the Pulitzer Prize, writer/composer Jonathan Larson’s tour de force continues to offer an inspiring message of hope and friendship. Acclaimed film, television and theater producer Marc Platt (“Grease: Live,” “La La Land,” “Wicked”), along with the estate of writer/composer Jonathan Larson, will executive-produce the live musical event.

Airing as a global event on FOX and National Geographic in 180 countries and 43 languages, the Emmy and Peabody Award-winning COSMOS will return for its third season in Spring 2019. It will once again be executive-produced, written and directed by Ann Druyan (NASA’s Voyager Record, “Cosmos: A Personal Voyage,” “Contact”); executive-produced by Seth MacFarlane, Brannon Braga and Jason Clark; and hosted by Neil deGrasse Tyson, the famed pop-culture icon and astrophysicist. Continuing the legacy of its predecessors, COSMOS: POSSIBLE WORLDS will translate the revelations of science into a lavishly transporting experience, taking audiences on a series of spiritual voyages of exploration. The new season will reveal previously uncharted realms, including lost worlds and worlds to come, and those that we may one day inhabit in a thrilling future we can still have.

During the 2018-2019 season, several FOX series will celebrate major milestones, including THE SIMPSONS’ landmark 30th anniversary, FAMILY GUY’s 20th anniversary and BOB’S BURGERS’ 150th episode.

FOX’s full 2018-2019 programming slate is – Dramas: 9-1-1, EMPIRE, THE GIFTED, GOTHAM, LETHAL WEAPON, THE ORVILLE, THE PASSAGE, PROVEN INNOCENT, THE RESIDENT, STAR; Comedies: BOB’S BURGERS, THE COOL KIDS, FAMILY GUY, LAST MAN STANDING, REL, THE SIMPSONS; Live Events: RENT; Event Series: COSMOS: POSSIBLE WORLDS; Unscripted: BEAT SHAZAM, THE FOUR: BATTLE FOR STARDOM, GORDON RAMSAY’S 24 HOURS TO HELL & BACK, HELL’S KITCHEN, LOVE CONNECTION, MASTERCHEF, MASTERCHEF JUNIOR, SHOWTIME AT THE APOLLO, SO YOU THINK YOU CAN DANCE.

Fear The Walking Dead S4E5 Live Thoughts

Last night we discovered on AMC episode 5 of this season of FTWD which has been looking at the relationship between John and Laura (aka Naomi).


At first we discover the life that leads John, alone in his cabin lost in the middle of nowhere in the zombie apocalypse. He leads a rather quiet and routine life isolated from the world. One day he discovers a boat aground in front of his house with a woman on board seriously injured. We recognize life Naomi who will eventually be renamed Laura by John because he ignores his real name.

He will take care of her and help her to recover. During his convalescence the two characters will get to know each other allowing us to know them too. We discover that John was a policeman, Laura nurse. She will first be ultra cautious towards her host before finally let herself go. Normal at the same time, who would not be in the middle of the apocalypse? We will learn at the turning of a non conversation that she lost her child. For his part John remains quite evasive about his past as a policeman and his refusal to use a gun, even against the dead. Only Laura will break the shell. During a small invasion of the dead who disembark from the river John takes up arms to save Laura’s life. We discover that he is an exceptional shooter.

The episode ends like a romantic comedy. John will hardly admit his feelings to Laura, who are visibly reciprocated. But the next day our cowboy wakes up alone. Laura left without leaving him a message also confessing her feelings.

The latest images take us back to the present, John has just told his story to Morgan who tries to convince him that there is still hope that she is alive. This is also what we say as viewers, if not what interest to tell their story in detail? We want to believe it.

It was a fairly long episode, almost irrelevant to the context of the series but it has at least the merit of having us discover a little more these two new characters that are John and Laura.

Next week back in the present, but not that.

 

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Doomsday Kingdom Issue #2 Review

Doomsday Kingdom #1 started off with a great new take on the zombie genre with an introduction to the main character, along with great action and storytelling. The second issue which was produced by YouTube personality Ronny Haze of Make A Path Presents and James Milne is a flashback issue showing the events before the apocalypse begun. We find out that he has a family and they were celebrating Independence Day all together and enjoying the fireworks. Then as the main character says good night to his daughter, he checks his news alerts about attacks that happened earlier that day and in the next morning, he takes his daughter to school followed by a police car speeding right in front of him. There were more news alerts about gunmen assaulting people in the downtown area and the daughter of the main character told her dad that she is not feeling well. He rushed out of work to go pick up his daughter from school. As this was happening, police stopped civilians from entering the school and closed off certain areas of the area. You would think that the world is ending at that point would you? One of the cops shoots himself in the head as the main character drives away. While they are home, her fever got worse and she passes away as he is holding her as he repeated “I’m sorry” several times after she passed. The final panels of this issue is the main character receiving a phone call as one of the reanimated zombies approaches him from behind.

This issue had a lot of great moments including the one full page of the fireworks scene which was colorful and great to see. We had a great amount of story in this issue and we saw how people were trying to deal with the upcoming chaos that is about to happen. The unnamed main character’s emotions from rushing out of work to seeing his sick daughter is very human and everyone can relate to that especially parents of children. There is more to come and i am looking forward to issue #3 so i recommend everyone to check the first and second issue out.

The second issue has been released digitally a short time ago, and now the physical release of this issue is now up for pre-order which you can buy via this link https://www.doomsdaykingdom.com/the-shop/doomsday-kingdom-issue2

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Follow Doomsday Kingdom creators on Twitter @RONNYHAZE @DOOMSDAYKINGDOM @LovePigeon

Fear The Walking Dead Showrunner Addresses Missing Character’s Fate

The showrunners of “Fear the Walking Dead” have finally revealed the fate of one of the main characters that we have not seen yet in season four. The speech is from Daniel Salazar (Rubén Blades), who has become a fan favorite since the first season. All who feared that he has blessed the time may now breathe a sigh of relief.
What’s more, it looks like we’ll see more of Daniel in the future and explore a whole new environment. In an interview with “TV Line” and “Entertainment Weekly”, “Fear” showrunner Andrew Chambliss surprisingly hinted at another crossover moment.

“Chances are good that he appears in the Walking Dead Universe?”, Chambliss elicit. “He’s alive and out there.” Only the details of Daniel’s survival need to be dispensed with for the time being. That might also be related to the 9th season “The Walking Dead”; Filming started on May 1, 2018.

In the season eight finale, Morgan (Lennie James) left the successful zombie series to join the companion series “Fear the Walking Dead.” The place left by Morgan could soon be filled by Daniel Salazar.

In any case, he would be an exciting addition to Rick’s group, who now seek a harmonious life after defeating Negan (Jeffrey Dean Morgan). Whether they succeed, is questionable. After all, there is not only Daniel, but also the next dangerous enemies.

 

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The Wrestling Court Episode 184-Backlash 2018 thoughts

Julian is here with a good solo show covering the disastrous backlash 2018 ppv along with the rumors about Carmella and John Cena, Jim Ross’ comments about the women not deserving pay from the greatest royal rumble, the WWF Cookbook and much more.

Sign up for Audible for a free 30 day trial. You can cancel any time you wish within those 30 days but once you sign up, you will get the chance to download a free audiobook. I recommend to check out the Daniel Bryan, Hulk Hogan, Chris Jericho and Jake Roberts book if you want something wrestling related but if not, you can get something non wrestling related in the massive library of audiobooks. Sign up via this link:

www.audibletrial.com/thewrestlingcourt

Subscribe to TWC via these links iTunes, stitcher radio, Tunein radio Player.FM, Spotify, and podomatic.com and listen live via mixlr.

Itunes link

https://itunes.apple.com/us/podcast/the-wrestling-court/id1025244200?mt=2

stitcher radio link

http://www.stitcher.com/podcast/the-wrestling-court-from-podomatic

player.fm link

https://player.fm/series/the-wrestling-court

Spotify:

https://open.spotify.com/show/0BR7h7f9GLg2qNGQgxO2Nt

mixlr link to listen live every wednesday at 8pm

http://mixlr.com/the-wrestling-court/

Tunein Radio link
http://tunein.com/radio/The-Wrestling-Court-p900606/

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Top 10 WWE Games Changes That Nobody Asked For

The WWE Games series has come a very long way. From the days of the NES to now the current generation of video game consoles and PC, it is not going away soon. I enjoyed WWE video games for years especially the early years of the Smackdown! and Smackdown vs. Raw series along with cult classics such as WWF No Mercy, WCW/NWO Revenge, and WCW World Tour. I loved them and at this time, each series improved over another in great ways, but there are some changes that i myself including many fans did not like. I am here to count down the top 10 changes in WWE video games that nobody asked for.

 

10. Ridiculous Camera Angles (Smackdown vs. Raw 2009)

I start this list with a decent entry to the series even though there were a few major flaws. Smackdown vs. Raw 2009 was built around the new tag team engine but that did not stop them for having a good idea with poor execution. One of those ideas were the outside the ring camera angles. This feature made the gameplay irritating on where to locate the superstars and even though i liked that they wanted to have a visual presentation to what it looks like in real life, the results were not the same when that feature was implemented into this game. Have they saw other games with poor camera angles before deciding to go with this?

9. Removing GM Mode for Career Mode (Smackdown vs. Raw 2009)

General Manager Mode is a popular mode among Smackdown vs. Raw veterans. Although today’s Universe Mode is good, it is not as in-depth as General Manager mode so when fans found out that this mode is going to be removed in Smackdown vs. Raw 2009, the entire community was very angry. What they did was added a Career Mode and trust me, it is very dull. You chose a brand, your superstar, your match of the week and try to build attribute points and repeat. This mode was so repetitive that you will get bored with this mode after one hour.

8. Promo Engine (WWE 2K17)

We all thought that this engine would change WWE Universe Mode in this game but we were so wrong. Want to have Bray Wyatt say something like “i will defeat you at the next show” or “me and my friend John Cena will team up tonight”? Well that is the promo engine for you. Every character has their own way of cutting promos on television in real life. In this game on the other hand, it is as robotic as a Roman Reigns vs. Brock Lesnar match. There is no life to these promos and it was a huge waste of time trying to create segments with the superstars too. Did i forget to add that the promos are in on screen text instead of voice overs?

7. Fighting Styles (Smackdown vs. Raw 2008)

This game is considered the worst of the Smackdown vs. Raw era and it shows the moment you play this game. There was a new feature that included fighting styles and your superstar had a choice of having two out of eight different styles. This decision was very poorly received because this game had far too less moves and limited down how many moves a superstar can do. Good thing that this feature was removed in next year’s game and turned those styles into a variety of abilities that your superstar can have.

6. Removing 2K Showcase Mode (WWE 2K17)

The 2K Showcase mode goes way back to The Attitude Era mode way back in WWE ‘13 and to see it being removed in 2K17 is a huge mistake. The only way you can play this mode is by DLC but in 2K18, this mode was not brought back. You cannot sell a video game with no base story with it.

5. Not Including Many WCW/ECW Superstars (Smackdown! Just Bring It)

Lets keep this in mind that i said “many” because this game was released at the height of the WCW/ECW Invasion storyline. The likes of Rob Van Dam, Booker T, Hurricane Helms, Mike Awesome, Tommy Dreamer, DDP, Lance Storm and many more huge names were absent from this game. It is the first WWF game on the PlayStation 2, but it was a disappointment by fans despite the fact that the game actually looked great. The roster was extremely outdated and there was no excuse for this since Smackdown! 2: Know Your Role had a very stacked roster a year before.

4. Very Minimum Content (WWE 2K15)

2K15 was a graphical improvement since it was running on PS4/XBOX ONE hardware and that is all it was. Removing many content such as multiple match types, the ability to create custom soundtracks, Create a Superstar, Match Creator, Entrance Video and other content was just very jarring for a WWE Video Game. You would think that you would have multiple options and decisions in this game when it is first announced but i along with many other fans learned the hard way and that is, when there is not much announced before a release date, then there is something that they are hiding that does not want to come to light and this game is a prime example of that. The last WWE video game i have enjoyed was 2K14 and that is almost 5 years ago now.

3. Character Models (WWE ‘12)

This game has some of the worst modern character models for a WWE video game at the time and it was a shame to see the downgrade of graphics compared to the previous game’s graphics engine. I will say no more other than Look at Booker T in this game compared to others.

2. Merging GM Mode With Season Mode (Smackdown vs. Raw 2008)

“Why did they do this” comes to my mind when i first tried it out at a comic book store when i was still in high school back in 2007. This is another idea that sounded good on paper, but bad when you see it. The ratings system is extremely broken, your selected superstar burns out quick within a few matches, the ECW Brand would lose every time and so on. There is more to be said badly about this decision and i am glad that they never did this again. The last game to have a good GM mode was Smackdown vs. Raw 2007.

1. Adding Loot-crates (WWE 2K18)

In the age of Loot-crates and micro-transactions, this one takes my number one spot because when gamers hear those words, there is trouble to come. Of course you cannot use real world money to buy those crates in this game, but i have a bad feeling that it will happen in the next game since 2K Games did it to a few of their game lines such as NBA last year. Loot-crates are for My Career only, but nobody should have to rely on randomized boxes to increase stats and etc. We saw how this damaged EA’s and Bungie’s reputation and i have a bad feeling that 2K will get that reception too on this year’s game. This is a feature in every game that NOBODY asked for and that is my main reason why this takes the number 1 spot.

 

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Bullet Club Invades Funko Pop with their new line

Members of New Japan Pro Wrestling’s Bullet Club will become the first non WWE contracted wrestlers to have Funko Pop figures and i am excited about this. This will open the door for many other popular independent wrestlers to have this deal and these four huge names got it first. The series includes, Matt and Nick Jackson of The Young Bucks, Kenny Omega, and “The American Nightmare” Cody as they make their first appearances as Funko Pop figures. Check these images out below.

Also, this variant of The Young Bucks is an HotTopoc exclusive along with this cool t-shirt below.

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Nintendo Switch Online Service Will Not Have Virtual Console

 

Today, Nintendo released new information about the online service that will be released in September:


So this offers not only the opportunity to play switch games such as “Mario Kart 8 Deluxe” or “Splatoon 2”, but also classic NES titles such as “Ice Climber” or “Baloon Fight” online. 20 NES games will be available for release, but the selection is expected to expand steadily. All NES titles are supported by the Nintendo Switch Online App voice chat.


In addition, a kind of cloud storage system is introduced, with which it is possible, in the case of a reinstallation of a software saved scores again via the Internet. There is no more detailed information about the cloud, it is only pointed out that this will not be available for every software.


Further, the membership options are more accurately executed. So it will be in addition to the individual memberships for $ 3.99 (1 month / 30 days), $7.99 (3 months / 90 days) and $19.99 (12 months / 365 days), a family package for $34.99 be available for 12 months / 365 days. This is not only convenient for homes with multiple switch consoles, but also for people who have multiple accounts on a console because the online service will be account-bound. How many accounts can use the family package, is not yet known.

Last but not least, probably a less gratifying news: Nintendo confirmed to the English-language gaming news site “Kotaku” that there are currently no plans to bring classic games under the “Virtual Console” branding on the switch. However, this statement does not mean that there are no plans to bring classics to the Switch, not just under the name “Virtual Console”. So it could be possible that various SNES, N64 GameCube and GameBoy titles could later be available via the online service, or how the “NeoGeo Arcade” classics will simply be ported to the switch for a low price.

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Fear The Walking Dead Season 4, Episode 4 Quick Thoughts.

We are not at the end of our surprises apparently in Fear the Walking Dead. Indeed, in this new episode we follow Alicia, Strand and Luciana in their adventures. We understand then what embodies the characters in this quest for revenge against the Vultures. The series then decides to reveal a little more information, and very well kept secrets are revealed in order to once again break the trick and advance the series. Casually, I feel that Fear the Walking Dead has done more in four episodes than the last season’s first four episodes. It’s not Alicia and Naomi who are talking about papers and rags that will really advance the story but in the rest of the episode there are a lot of good elements that can just please a viewer who may want to see more. The inventiveness of Fear the Walking Dead goes much further as the credits change episodes into episodes in order to highlight the things that should be followed very soon. The episode was full of good surprises from start to finish in order to see a little more of the group’s life at The Diamond. But the way it’s all done has never seemed surreal and it’s very good news, especially when we remember some of the problematic intrigues we’ve seen in Fear the Walking Dead.

The water park is a welcome change of place in the series. I would say that the season would have been much more terrifying if it had happened at night but hey, it’s already well enough done so that we do not have to criticize. If I like the character of Naomi, recently arrived this year, I still have some doubts about his real intentions. She seems to be someone trustworthy but like Charlie finally. Even her innocent conversation with Alicia about the churros leaves me a little pensive about it. I guess Fear the Walking Dead has something in store with her that might implicate her in something much less friendly to our group of characters. But at times, I wonder what justifies the killing of others when behind there is nothing to recover. The back and forth between flashbacks during the episode can still be polarizing for viewers (four episodes straight!), but the story development is quite good so far. Lets hope that there will be less flashbacks for the rest of the season. The water park? I will give it without any problem to the bad guys if it is to have life saved. But in the world of Fear the Walking Dead they could still be killed, even if they do not rebel. It’s still damn strange at times. But man is a wolf for the man. This is what we must remember from this series and his big sister. The big revelation is that Naomi is John’s girlfriend. All this surprised me in the good sense of the term, which allows once again to change the story and characters.

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