the history of the comicbook: the comics code
from Rob, August 31st, 2011 8:11 am | No Comments | history of comic books

history of the comic book: the comics code

It was the early 1950′s America just getting over the effects of another war (Korea)

the United States needed some peace and harmony……..the days of the costumed crime fighting hero seemed to be drawing to a close. most heroes almost vanished into thin air and replaced with wholesome images of family life. but a new breed of comics took over.

EC comics took a stab at the darker side of comics, becoming more adult. this prompted concerned parents to seek out help for the overwhelming of so-called juvenile delinquents sprouting up in the more modern 1950s era. the government with the help of a one man nearly destroyed comics forever

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Comics Code Authority (CCA) is part of the Comics Magazine Association of America (CMAA), it was created to regulate the content of comic books in the United States. publishers submit comic books to the CCA, which screens them for conformance to its Comics Code, and authorizes the use of their seal on the cover that all companies must comply to. At the height of its influence, it was a “in practice” censor for the U.S. comic book industry.

The CCA was created in 1954 as part of the CMAA, in response to public concern about what was deemed inappropriate material in many comic books.

Dr. Fredric Wertham’s book Seduction of the Innocent rallied opposition to this type of material in comics

Dr. Fredric Wertham (March 20, 1895 – November 18, 1981)

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the history of Teenage Mutant Ninja Turtles
from Rob, January 22nd, 2011 5:00 pm | 3 Comments | comic book, history of comic books, Toys

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The Teenage Mutant Ninja Turtles originated in a comic book published by Mirage Studios in 1984. The concept arose After a long day of work way back in 1983, Kevin and Peter were relaxing at Peter’s house watching television and sketching. “We got real punchy,” Peter explains, and they started drawing cartoons to amuse themselves. At the time Peter was doing editorial illustration with some success and Kevin was working as a short-order cook and drawing comics in his spare time. As the evening evolved, Kevin eventually drew a bipedal turtle with nunchuks strapped to his arms and called it a Ninja Turtle. Peter, aware of a nifty idea when he saw one, asked “Why not a teenage mutant ninja turtle?” and thus the legend was born.

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Kevin Eastman and Peter Laird, the creators of the Turtles, started the black and white comic book with just $1,200 Using money from a tax refund together with a loan from Eastman’s uncle, the young artists self-published a single issue comic intended to parody four of the most popular comics of the early 1980s: Marvel Comics’ Daredevil and New Mutants, Dave Sim’s Cerebus and Frank Miller’s Ronin.

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In the early 80′s Marvel Comics best selling comic was the X-men and a slew of mutants started popping up to fill in the demand for more teenage mutants to read , at the same time characters like daredevil and wolverine fought an onslaught of ninjas the most famous were called the hand

Kevin and Peter satirize the marvel archetype of ninjas and mutants into creating the turtle universe .

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The mysterious Stick is a sensei who trained the young Matt Murdock (Daredevil) to control his senses and taught him the acrobatic martial arts that would make him so formidable.

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Splinter (a.k.a. Master Splinter) is s a martial arts master and father figure (sensei) for the Teenage Mutant Ninja Turtles

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The Hand is a fictional villainous organization in the Marvel Comics universe. The Hand first appeared in Daredevil volume 1 #168 (January, 1981)

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The Foot Clan: are a Ninjutsu clan in the Teenage Mutant Ninja Turtles universe, and the Turtles’ main antagonists. It is usually led by The Shredder

The first TMNT license came in the form of a role-playing game by Palladium, followed by miniatures from Dark Horse. Within a year, First Comics began to reprint the early issues in color volumes; four were produced, stopping at issue 11.

Much of the Turtles’ mainstream success is owed to a licensing agent, Mark Freedman, who sought out Eastman and Laird to propose wider merchandising opportunities for the offbeat property.

In January 1988, they visited the offices of Playmates Toys Inc, a small California toy company who wished to expand into the action figure market.

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Accompanied by the popular Teenage Mutant Ninja Turtles animated series,

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the TMNT were soon catapulted into pop culture history. At the height of the frenzy, the Turtles’ likenesses could be found on a wide range of children merchandise, from PEZ dispensers

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to skateboards, breakfast cereal, toothpaste, school supplies and cameras. The original cartoon series was featured on VH1′s I Love The 80′s and the toys based upon the show were ranked 33 in I Love Toys.

Neca TMNT Teenage Mutant Ninja Turtles Action Figures in Tube Packaging - Set of 4

Neca toys released an amazing line of comic book inspired action figures but weren’t allowed to sell them in toy stores only online and second market places (comic book stores) as of 2009, there was a resurgence in the Turtles’ popularity with the success of the then  recent animated series, a new line of Playmates action figures, Konami and Ubisoft’s video games, and a computer-animated feature film. Turtles headed back on top until the release of the vintage TMNT toys flopped at retails and the rights to the TMNT Toons was picked up by Nick.

2010 had little to no TMNT , but now in 2011 we await new turtles cartoon on Nickelodeon and a possible return to the toy shelves.

teenage-mutant-ninja-turtles-logo.jpgtmnt-logo-1.jpg different turtle logos

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is selling on ebay for over $14,500.00

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The Spirit: Comic Book History Spotlight
from Rob, December 20th, 2008 10:15 pm | 3 Comments | comic book spotlight

It’s Christmas time again ….but this year lets have a little more Spirit. With the up coming Spirit film opening on Christmas day, I wanted to spread some holiday cheer and tell people

The history of the Spirit.

But before we can talk about the Spirit we must talk about the man behind the hero.

William Erwin Eisner: born in Brooklyn, New York, the son of Jewish immigrants — his father was a former painter, marginally successful entrepreneur, and one-time manufacturer in Manhattan’s Seventh Avenue garment district. Eisner attended DeWitt Clinton High School.

He drew for the school newspaper (The Clintonian), the literary magazine (The Magpie) and the yearbook, and did stage design, leading him to consider doing that kind of work for theater. Upon graduation, he studied under Canadian artist George Brandt Bridgman.

In “late ’39, just before Christmas time,” Eisner recalled, Quality Comics publisher Everett M. “Busy” Arnold “came to me and said that the Sunday newspapers were looking for a way of getting into this comic book boom,” In a 2004 interview, he elaborated on that meeting:

‘Busy’ invited me up for lunch one day and introduced me to Henry Martin sales manager of the Des Moines Register and Tribune Syndicate, who said, ‘The newspapers in this country, particularly the Sunday papers, are looking to compete with comics books,and they would like to get a comic-book insert into the newspapers.

(Alot of publishers at the time felt that the 10 cent comic books where out selling newspapers and some fear that comic books may kill the newspaper market)

‘ … Martin asked if I could do it. … It meant that I’d have to leave Eisner & Iger which was making money; we were very profitable at that time and things were going very well. A hard decision. Anyway, I agreed to do the Sunday comic book and we started discussing the deal which was that we’d be partners in the ‘Comic Book Section,’ as they called it at that time. And also, I would produce two other magazines in partnership with Arnold.

Eisner negotiated an agreement with the syndicate in which Arnold would copyright The Spirit, but, “Written down in the contract I had with ‘Busy’ Arnold — and this contract exists today as the basis for my copyright ownership — Arnold agreed that it was my property. They agreed that if we had a split-up in anyway, the property would revert to me on that day that happened. My attorney went to ‘Busy’ Arnold and his family, and they all signed a release agreeing that they would not pursue the question of ownership” This would include the eventual backup features, “Mr. Mystic” and “Lady Luck.”

Eisner creates The Spirit

The Spirit chronicled the adventures of a masked crime-fighter who fought crime with the blessing of the city’s police commissioner Dolan, an old friend. Despite the Spirit’s origin as a detective named Denny Colt, his real identity was virtually unmentioned again and for all intents and purposes he was simply “the Spirit”. The stories ranged through a wide variety of styles, from straightforward crime drama and noir to lighthearted adventure, from mystery and horror to comedy and love stories, often with hybrid elements that twisted genre and expectations.

The Spirit, referred to as “the only real middle-class crime fighter”,the hero persona of young detective Denny Colt. Presumed killed in the first three pages of the premiere story, Colt later revealed to his friend, Central City Police Commissioner Dolan, that he had in fact gone into suspended animation caused by one of arch-villain Dr. Cobra’s experiments. When Colt awakened in Wildwood Cemetery, he established a base there and, using his new found anonymity, began a life of fighting crime wearing only a small domino mask, blue business suit, red necktie, fedora hat and gloves for a costume. The Spirit dispensed justice, funding his adventures with the rewards for capturing villains.

Will started drawing the Spirit as a traditional detective that he based on old pulp magazine. suit,tie and hat while in the middle of the design Will recieves a phone call from the publisher asking how things were coming along and ask if the hero had a mask

since all costumed crime fighters had masks ……

Will looking at he’s drawing said yes he does and started drawing a mask on the Spirit.

Because of this phone call the Spirit found his persona

The Spirit was based originally in New York City which soon changed to Central City, but his adventures took him around the globe. He met up with eccentrics, crazy, and beautiful but deadly femme fatales, bringing his own form of justice to all of them. The story changed continually, but certain themes remained constant: the love between the Spirit and Dolan’s feisty protofeminist daughter Ellen; the annual “Christmas Spirit” stories; and the Octopus (a psychopathic criminal mastermind who was never seen, except for his distinctive gloves).

so now that you have a taste for the Spirit take your want to the movies and see the film with an open mind and a big bucket of popcorn

one last thing go here and here

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Punisher: War Zone
from Rob, December 2nd, 2008 6:57 pm | No Comments | comic book spotlight

check out the site here

We have a good feeling this film will do alot better than the other two versions of the Punisher.

a brief history of the Punisher

The Punisher, is a vigilante who considers killing, kidnapping, extortion, coercion, threats of violence and torture to be acceptable crime-fighting tactics. Driven by the deaths of his family, who were killed by the mob when they witnessed a gangland execution in New York City’s Central Park, Frank Castle becomes the Punisher wageing  a one-man war on the mob and all criminals in general by using all manner of weaponry.His family’s killers were the first to be slain. A war veteran, Castle is a master of martial arts, stealth tactics, and a wide variety of weapons.

The Punisher’s brutal nature and willingness to kill made him a novel character in mainstream American comic books in 1974. By the late 1980s, he was part of a wave of psychologically troubled antiheroes and was featured in several monthly publications, including The Punisher War Journal, The Punisher War Zone, and The Punisher Armory.

The Punisher was created by Gerry Conway and his first appearance was illustrated by Ross Andru in the pages of Amazing Spider-Man #129 (Feb. 1974). Conway had drawn a character with a small death’s head skull on one breast. Marvel’s then art director John Romita, Sr. took the basic design, blew the skull up to huge size, taking up most of the character’s chest, and added a cartridge bandolier that formed the skull’s teeth.

Three movie adaptations have been released, one in 1989, which features Dolph Lundgren as the Punisher,which draws much criticism from comic fans due to the fact of the Punisher not having his trade mark skull shirt. Another in 2004, with the character being played by Thomas Jane. A third adaptation  with Ray Stevenson as Castle and is being released on December 5, 2008.

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Iron Man (a brief history)
from Rob, June 3rd, 2008 10:41 pm | No Comments | comic book spotlight

Iron Man (Anthony Edward “Tony” Stark) is a comic book superhero in the Marvel Comics universe. Created by writer-editor Stan Lee, writer Larry Lieber, and artists Don Heck and Jack Kirby, he first appeared in Tales of Suspense #39 (March 1963).

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Tony Stark, after being gravely injured and forced to build a devastating weapon, instead created a suit of power armor to save his life and help protect the world as Iron Man. He is a wealthy industrialist and genius inventor whose suit of armor is laden with technological devices that enable him to fight crime.

Lee had been toying with the idea of a businessman superhero.He set out to make the new character a rich, glamorous ladies’ man, but one with a secret that would plague and torment him as well. Lee based this playboy’s personality on Howard Hughes,

hughes1.JPGexplaining, “Howard Hughes was one of the most colorful men of our time. He was an inventor, an adventurer, a multi-billionaire, a ladies’ man and finally a nut case.”

Iron Man first appeared in 13- to 18-page stories in Tales of Suspense, which featured anthology science fiction and supernatural stories. The character’s original costume was a bulky grey armor, which later turned golden in his second story (issue #40, April 1963), and then redesigned again as a sleeker red-and-golden armor starting in issue #48 (Dec. 1963), drawn by Steve Ditko. In his premiere, Iron Man was an anti-communist hero, defeating various Vietnamese agents; Lee later regretted this early focus. Throughout the character’s comic book series, technological advancement and national defense were constant themes for Iron Man, but later issues developed Stark into a more complex and vulnerable character as they depicted his battle with alcoholism and other personal difficulties.

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the history of the comic book: the golden age part 2
from Rob, March 22nd, 2008 9:56 pm | No Comments | history of comic books

history of the comic book: Golden Age part 2, Batman and beyond

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The Hero from Krypton blazes the path for the new Archetype, the costumed crime fighter!

In the wake of the new found “super” hero comic book publishers rushed to capture the love of america’s new myths.

heroes appeared from around the globe and sometimes under the ocean.

crimson-avenger-lee-travis.JPG Crimson Avenger (Lee Travis) pre-dates batman as their first masked crime fighter. Lee Walter Travis is the alter ego of the first Crimson Avenger. The original Crimson Avenger premiered in Detective Comics #20, dated October 1938 (predating the appearance of that title’s most famous character, Batman, who debuted in #27). He was a wealthy newsman named Lee Walter Travis residing on Earth-Two who took up the identity of the Crimson Avenger to battle crime.

dollman1.gif Doll Man “The World’s Mightiest Mite,”was created by comics legend Will Eisner and first appeared in a four-page story entitled “Meet the Doll Man” in Feature Comics #27, the December, 1939. research chemist Darrell Dane, who invents a formula that enables him to shrink to the height of six inches while retaining the full strength of his normal size.

invisiblehood.jpg The Invisible Hood, first appeared in Smash Comics #1 in 1939, as published by Quality Comics in a story titled “Hooded Justice”.Kent Thurston’s origins or the origins of the cloak and chemical he used.


sandman1.jpg The Sandman (Wesley Dodds,Attired in a green business suit, fedora, and gas mask,he used a gun emitting a sleeping gas to sedate criminals. later on he became more of a traditional hero acquiring sidekick Sandy, and joining the Justice Society of America.

none of these heroes matched the selling power of Superman. that is until a shadow fell over the comics industry in the form of a Bat

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Batman: referred to as the Bat-Man and still referred to at times as the Batman.

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First appeared in detective comics #27 1939, Batman’s secret identity is Bruce Wayne, a wealthy industrialist, playboy, and philanthropist. Witnessing the murder of his parents as a child leads him to train himself to physical and intellectual perfection and don a bat-themed costume in order to fight crime.

detective-comics-27-1939.jpg Batman operates in the fictional Gotham City, assisted by various supporting characters including his sidekick Robin and his butler Alfred Pennyworth, and fights an assortment of villains influenced by the characters’ roots in film and pulp magazines. Unlike most superheroes, he does not possess any superpowers; he makes use of intellect, detective skills, science and technology, wealth, physical prowess, and intimidation in his war on crime.

created by

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and written by

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although only Kane receives official credit. The Batman was created based on a silent movie called the Bat Whispers and Da Vinci’s flying machine

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and combined with the popular crime fighters of the time

Doc Savage, the Shadow and the detective skills of Sherlock Holmes.The first Batman story, “The Case of the Chemical Syndicate,” was published in Detective Comics #27 (May 1939).

Finger said, “Batman was originally written in the style of the pulps” and this influence was evident with Batman showing little remorse over killing or maiming criminals and was not above using firearms.

With the debut of The Batman, DC comics had two gang buster hits and open the flood gates for the Golden Age of comics.

Timely comics this same year released its first anti-hero Namor the sub mariner

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Namor the Sub-Mariner first appeared in April 1939 in the prototype for a planned giveaway comic titled Motion Picture Funnies Weekly, produced by the comic book packager Funnies, Inc.

When the giveaway idea fell through, creator Everett used the character for Marvel Comics #1, the first comic book by Funnies, Inc. client Timely Comics, predecessor of Marvel.

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next part of the history of comics: Golden Age heads to war!

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the History of the Comic Book: comic spotlight, Mighty Mouse
from Rob, March 17th, 2008 5:34 pm | No Comments | comic book spotlight

History of the Comic Book: Golden Age; comic spotlight

Sometimes comic book heroes aren’t from comics but are inspired by them instead.

here is the history of Mighty Mouse!

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Terrytoons story man, I. Klein, proposed a story to Paul Terry which was a spoof of the popular Superman character. The hero of the story was a fly with super powers (Hal Seeger later developed such a character, Fearless Fly, for his Milton The Monster series). Terry, who liked to control all the Terrytoons product and make it seem as if he originated all story ideas, listened to Klein and then vetoed the idea.

Terry then took the premise, changed the lead character to a mouse, and presented it as his own original idea. The Terrytoons story department devised a story from the idea entitled Mouse Of Tomorrow, featuring Terry’s new character, Super Mouse.

The Mouse Of Tomorrow retold the origin of Super Mouse. The rodent inhabitants of the city are terrorized by the cats. The cats have set numerous traps to capture the mice and it is impossible for the mice to live in peace. One mouse, having escaped from a hungry cat, finds refuge in a large supermarket. Having surveyed the contents of the store shelves, he sets out to transform himself. He takes a bath in Super Soap, eats Super Soup, chews on Super Celery and dives head first into a chunk of Super Cheese. He emerges from the chunk of cheese as Super Mouse.

The transformation has changed him from a tiny four-legged rodent, scurrying about, into a human-like mouse, standing upright on two feet, with super powers, a massive physique, and a cape and costume similar to that of Superman’s. He has the ability to fly through the air and bullets bounce off of his chest. Using his new-found powers, he sets out to rescue his fellow mice from the scourge of the cats, and sends all the cats to the moon. He returns to the Earth a hero, with the mice hoisting him high in the air as the narrator closes with “Thus ends the adventure of Super Mouse…he seen his job and he done it!”

Super Mouse was a huge success. In the meantime, a Terrytoons employee had left to work for a small publishing company, and submitted a version of Super Mouse for publication. The Super Mouse story was published in the first issue of Coo Coo Comics in October, 1942, at the same time that Terrytoon’s version was released to the theaters. Terrytoons, not wanting to promote a similarly named character owned by someone else, decided to change the name of Super Mouse to Mighty Mouse for all his future cartoon adventures.

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watch a free cartoon of Mighty Mouse here

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the history of the comic book: the golden age
from Rob, March 1st, 2008 12:14 am | No Comments | history of comic books

Look up in the sky! its a bird, its a plane, its the start of the Golden Age.

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“The Reign of the Superman” in the fanzine Science Fiction vol. 1, #3 (June 1933)).

To talk about the Golden Age of Comics you must start with the two men who pioneered “the Age of spandex”

Jerry Siegel and Joe Shuster

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Joe Shuster was born on July 10th, 1914 in Toronto, Ontario, Canada.

Jerry Siegel was born in Cleveland, Ohio as Jerome Siegel on October 17th, 1914.

Joe Shuster’s family would move to Cleveland, Ohio when he was 9. He would later befriend Jerry Siegel around 1931. Both of them attended the same High School, and they both had the same love of science fiction stories.It was shortly after the two met, they began working on comics.Together they created a bald telepathic villain hellbent on dominating the entire world. He appeared in the short story “The Reign of the Superman” from Science Fiction #3, a science fiction fanzine that Siegel published in 1933.

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Siegel re-wrote the character in 1933 as a hero, bearing little or no resemblance to his villainous namesake, and began a six-year quest to find a publisher.

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Titling the story “The Superman“, Siegel and Shuster offered it to Consolidated Book publishing, who had published the 48-page black-and-white comic book entitled Detective Dan: Secret Operative No. 48. Although the duo received an encouraging letter, Consolidated never again published comic books. Shuster took this to heart and burned all pages of the story, the cover surviving only because Siegel rescued it from the fire. Siegel and Shuster each compared this character to Slam Bradley, an adventurer the pair had created for Detective Comics #1

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By 1934 the pair had once more re-envisioned the character. He became more of a hero in the tradition sense, inspired by such characters as Samson and Hercules, who would right the wrongs of Siegel and Shuster’s times, fighting for social justice and against tyranny. It was at this stage the costume was introduced,

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Siegel later recalling that they created a “kind of costume and let’s give him a big S on his chest, and a cape, make him as colorful as we can and as distinctive as we can.” The design was based in part on the costumes worn by characters in outer space settings published in pulp magazines, as well as comic strips such as Flash Gordon, and also partly suggested by the traditional circus strong-man outfit. However, the cape has been noted as being markedly different from the Victorian tradition. This third version of the character was given extraordinary abilities, although this time of a physical nature as opposed to the mental abilities of the villainous Superman.

The locale and the hero’s civilian names were inspired by the movies, Shuster said in 1983. “Jerry created all the names. We were great movie fans, and were inspired a lot by the actors and actresses we saw. As for Clark Kent, he combined the names of Clark Gable and Kent Taylor. And

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Metropolis, the city in which Superman operated, came from the Fritz Lang movie Metropolis, 1927.

Although they were by now selling material to comic book publishers, notably Malcolm Wheeler-Nicholson’s National Allied Publishing, the pair decided to feature this character in a comic strip format, rather than in the longer comic book story format that was establishing itself at this time. They offered it to both Max Gaines, who passed, and to United Feature Syndicate, who expressed interest initially but finally rejected the strip in a letter dated February 18, 1937. However, in what historian Les Daniels describes as “an incredibly convoluted turn of events”, Max Gaines ended up positioning the strip as the lead feature in Wheeler-Nicholson’s new publication, Action Comics. Vin Sullivan, editor of the new book, wrote to the pair requesting that the comic strips be refashioned to suit the comic book format, requesting “eight panels a page”.

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However Siegel and Shuster ignored this, utilizing their own experience and ideas to create page layouts, with Siegel also identifying the image used for the cover of Action Comics #1 (June 1938), Superman’s first appearance.

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side note: Gary Engle described the golden age of heroes ( Superman at Fifty: The Persistence of a Legend.) The pants-over-tights outfit was soon established as the basis for many future superhero outfits.

The Golden Age Explodes

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the history of the comic book:platinum age part 4
from Rob, February 20th, 2008 7:20 pm | 3 Comments | history of comic books

Freebie comics done were the 100 page Century of Comics and Skippy’s Own Book of Comics.

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Skippy was a very popular comic character and was the first to receive his own “new” comic dedicated comic series. Each of these had a print run of a half a million. From there Wildenberg was really interested in publishing a “higher level” of a comic book with reprints of famous comic strips, sold for 10 cents.

He tried to get many companies to hop on but none would. Among those to turn him down were Oscar Fitz-Alan Douglas known as the brains of Woolsworth department store. After much deliberation he decided a 10 cents wasn’t worth a comic book. Many other stores to turn them down, as did Parents Magazine. The just couldn’t see anyone paying 10 cents for old comics they already read from the newspapers. They Syndicates didn’t see it selling either, they remembered both Comics Monthly and The Funnies trying and failing at selling comic books.

In 1934, with a cover date of February 1935, New Fun Comics came out. The creator, Major Malcolm Wheeler-Nicholson decided that he didn’t want to pay the fees that the newspapers were charging for their old comic strip reprints. So he got new comic material that wasn’t being published in the newspapers. National Allied Publications Inc. published New Fun Comics in a much bigger 10″ x 15″ tabloid size.

Which was closer to what the news paper comic section was. The cover was full color and was made out of stiff cardboard. Inside about half the book had color in it, but each strip was usually allowed one color only. It is also said that this title is the first to have advertisements inside, while selling on the newsstands. The strips inside were done by a mix of cartoonist veterans struggling during the depression or young cartoonists trying to break in.

In fact, some of the new comic material was made by Wheeler-Nicholson himself. Some artists already had completed strips that the syndicates wouldn’t take, and they were able to get some money for them by printing them here. Many were knock offs of popular newspaper strips.

Out of all the strips only two had any lasting effect, those were Wing Brady and Barry O’Neill. The series would last 6 issues before the name would change to More Fun Comics, with issue #9 the format would change to a normal comic book size. Of those contributing strips to the issue would be Walt Kelly and Al Capp who later go on to have great success in the comic strip field. With the help of superheroes, this title would last 127 issues getting cancelled in November 1947. There was a brief time after issue #12 the book would start at #1 again with a volume 2.

This last for 5 issues and then switched back to volume 1 returning with the original numbering with issue 18.

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In February 1936 Chicago Tribune Syndicate teamed up with Max Gaines, his assistant Sheldon Mayer and George Delacorte (his third try at comic books) and created Popular Comics featuring a huge amount of well known characters. Among them,

Dick Tracy, Mutt and Jeff,

terry_v1_covers_sm.jpg Terry & the Pirates,

gasoline-alley.jpg Gasoline Alley,

skippy_book_cover.jpg Skippy,


tailspintommy.JPG Tailspin Tommy,

Little Orphan Annie and many more. The third and final try at comics would be what Delacourte needed to become a successful publisher, in fact Dell Publishing Co. would be one of the most successful comic publishers of all time. This title would last 145 issues and end in 1948.

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In April of 1936, another major comic strip syndicate would jump in the comic book business. King Features created King Comics. David McKay was a publisher who had done some comic books through King Features, and he had the job of doing this one with the editor Ruth Plumly Thompson. In it Flash Gordon, Popeye, Mandrake the Magician would be among the popular strips to make their appearance in the first issue. Later on The Lone Ranger, The Phantom, Prince Valiant, Blondie and Little Lulu would be among the other popular strips to appear in the title. The comic would last 159 issues and end in 1952. Out of it would spring Standard Publishing a comic book company with many different titles.

A month later two men named William Cook and John Mahon published The Comics Magazine #1. Cook and Mahon were former disgruntled employees of National Allied Publications, owned by Major Malcolm Wheeler-Nicholson – the company that gets later renamed to DC Comics. Cook and Mahon would go on to form a publishing company called Comics Magazine Co. but the title changed and so did the ownership. Eventually it would be called Centaur Comics. The Comics Magazine #1 would feature a character and two creators that go on to become famous. Mr. Mystic was created and done by Siegel and Shuster, the two would go on to create Superman. Mr.Mystic was not in a costume in this issue, but the weird thing was the character would later appear in DC Comics More Fun #14, with the story (called “The Koth and the Seven”) continuing on from one publishers book to the next. Another Siegel and Shuster character to appear in this title was Federal Agent, later renamed Federal Men when they also appeared in DC Comics. The Comics Magazine would change it’s name to Funny Pages with issue #6. The series would feature a character named The Clock, who was the first masked hero in comics. The title would last until 1940 ending with issue #42.

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Will Eisner’s first work was in Wow What a Magazine #1. Wow would only go 4 issues,

By the end of the year, Centuar Publications would be the first to publish titles devoted to a single theme. They were Detective Picture Stories, Western Picture Stories, and Funny Picture Stories. Despite the title, Funny was about Adventure type stories. Detective Picture Stories would last 5 issues and they would include some work by creators who later become famous like Wil Eisner and Bob Kane. The title may have continued on with another name but the specifics are not known. Funny Picture Stories lasted almost as long, but they did 3 volumes, resetting the numbers back to #1 each time. The 1st went 9 issues, the 2nd went 11 issues (#6 being the first with the Centuar Comics name on it) and the 3rd lasted 3 issues before the title gets renamed to Comic Pages from #4 and up. This series also had work from people who later become famous, among them Charles Biro and Bob Wood best known for Crime Does Not Pay comic, and Fred Guardineer who did a lot of work for DC Comics. Lastly, Western Picture Stories lasted 4 issues. All with Wil Eisner work in them.

In March 1937, Detective Comics #1 came out. This comic was the first true DC comic book. This issue was the first production of two companies that formed the DC company. Comic producer Major Malcolm Wheeler wasn’t making much money with his comic books (New Fun being one of them) and owed money to his printer and just about everybody else. Wheeler was forced to collaborated with his printer/distributor Harry Donenfeld to produce this book. Most of the stories in this issue are racist towards Chineese people and they are the villains in the majority of the tales. One such story titled “Claws of the Red Dragon” writen by Major Malcolm Wheeler. Another story of note in here is called Slam Bradley done by Jerry Siegel and Joe Shuster. The character looks very similar to another they created. That being Superman. From the opening splash page to the different layouts to the tough guy hero saves the girls it’s easy to see how there style paved the way for the typical comic hero story.

Comics On Parade #1 by United Feature Syndicate. April 1938, goes to #104 1955. First issue featured Tarzan by Hal Foster, Captain and the Kids, Little Mary Mixup, Abbie & Slats, Ella Cinders, Broncho Bill, and Li’l Abner.

Next the Golden Age shines

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the history of the comic book: comic spotlight, Pulp Magazines
from Rob, December 15th, 2007 9:45 pm | No Comments | comic book spotlight

Pulp magazines (or pulp fiction; often referred to as “the pulps”) were inexpensive fiction magazines. They were widely published from the 1920s through the 1950s.

The name “pulp” comes from the cheap wood pulp paper on which such magazines were printed. Magazines printed on better paper and usually offering family-oriented content were often called “glossies” or “slicks”. Pulps were the successor to the “penny dreadfuls”, “dime novels”, and short fiction magazines of the nineteenth century.

penny-dreadful.jpgpenny dreadfuls

Although many respected writers wrote for pulps, the magazines are perhaps best remembered for their lurid and exploitative stories, and for their similarly sensational cover art.

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pulp magazines often featured illustrated novel-length stories of heroic characters such as the Shadow, Doc Savage, and the Phantom Detective. However the pulps were aimed more at adult readers whereas comic books were traditionally written for children and adolescents.

doc-savage.JPG phantom_detective_5-36.jpgthe-shadow.JPG

Pulp covers, printed in color on higher-quality (slick) paper, were famous for their half-dressed damsels in distress, usually awaiting a rescuing hero. Read the rest of this entry »

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